Spleen & Ideal (2021) Painting by Johan K.

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Pluviôse, irrité contre la ville entière, De son urne à grands flots verse un froid ténébreux Aux pâles habitants du voisin cimetière Et la mortalité sur les faubourgs brumeux. Mon chat sur le carreau cherchant une litière Agite sans repos son corps maigre et galeux ; L'âme d'un vieux poète erre[...]
Pluviôse, irrité contre la ville entière,
De son urne à grands flots verse un froid ténébreux
Aux pâles habitants du voisin cimetière
Et la mortalité sur les faubourgs brumeux.

Mon chat sur le carreau cherchant une litière
Agite sans repos son corps maigre et galeux ;
L'âme d'un vieux poète erre dans la gouttière
Avec la triste voix d'un fantôme frileux.

Le bourdon se lamente, et la bûche enfumée
Accompagne en fausset la pendule enrhumée,
Cependant qu'en un jeu plein de sales parfums,

Héritage fatal d'une vieille hydropique,
Le beau valet de coeur et la dame de pique
Causent sinistrement de leurs amours défunts.
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A journey through matter Abstraction and expressionism were the two leitmotivs of a journey of more than twenty years. It all starts with an idea that germinates, to become a pregnant[...]

A journey through matter
Abstraction and expressionism were the two leitmotivs of a journey of more than twenty years. It all starts with an idea that germinates, to become a pregnant obsession. The moment of the canvas arrives, a jubilant catharsis of a plunge into matter.
Permanent search for form, as well as substance, through study and reflection.

An almost philosophical sensitivity over the periods and years, letting the painting express itself.

There was Johan, then Joh, then Dijoh'ca and finally a simple K. at the bottom of the webs
Son of artists, having lived in a family where art was the engine, the axis, see the family heart, in the writing by his father, and his mother, the graphic and plastic arts.

Refusing to touch any artistic medium, out of mistrust, not wanting to be found where everyone wanted to see it.

Then there was the suffering of separation, a need to express it: the canvas, the colors and the material were obvious.

The technique, and the choices,

First come the shapes and the material, then the colors emerge, and the structure begins to want to find its place.
The work is done with various techniques, marriage of materials and chemical reactions between them: Acrylic, Oil, Vinyl, Cold enamel, Tempera, pigments, metal ...
The action takes consistency with knives, splatters, sponges.

The influences are multiple,

There is Pollock, of course, for the relaxed or controlled gesture, the exploration of interiority with Kandinsky, the relationship of shapes and colors like so many "chords", comparable to music with Rothko. A large part of Informal Art and Tachism.

There is also the contemporary school of Castres, with DiBeggio, a natural father discovered late.

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