16 artworks by Jo Moore (Selection)
Download as PDFOriginal Hand-printed Serigraphs II---Anasazi Series • 16 artworks
Original Hand-printed Serigraphs hand-pulled by the artist. My passion for original printmaking began[...]
Original Hand-printed Serigraphs hand-pulled by the artist. My passion for original printmaking began 30 years ago.
SERIGRAPHY is the earliest recorded original fine art printmaking technique. It has its roots in ancient
China (AD 221-618) where early serigraphers bridged intricate tissue-paper design stencils with human
hairs to illustrate the teachings of Buddha. It is termed an "original" printmaking technique because the original image is actually done on the screen and each impression is hand-pulled individually by the artist (or master printer) and belongs to a signed and numbered limited edition. Each serigraph is an original. And each serigraph is unique retaining its own specific character as inks blend in their own particular way. The technique involves pulling inks across a series of fabric stencils which have been prepared with aqueous or non-aqueous resists to enable portions of the image to emerge. As with any of the other major original printmaking techniques --- etching, lithography, wood-cuts --- a separate pull is required for each color deposit. Each of my serigraphs is hand-pulled by the artist onto archival, acid free rag paper and signed, titled and numbered on the front.
SERIGRAPHY is the earliest recorded original fine art printmaking technique. It has its roots in ancient
China (AD 221-618) where early serigraphers bridged intricate tissue-paper design stencils with human
hairs to illustrate the teachings of Buddha. It is termed an "original" printmaking technique because the original image is actually done on the screen and each impression is hand-pulled individually by the artist (or master printer) and belongs to a signed and numbered limited edition. Each serigraph is an original. And each serigraph is unique retaining its own specific character as inks blend in their own particular way. The technique involves pulling inks across a series of fabric stencils which have been prepared with aqueous or non-aqueous resists to enable portions of the image to emerge. As with any of the other major original printmaking techniques --- etching, lithography, wood-cuts --- a separate pull is required for each color deposit. Each of my serigraphs is hand-pulled by the artist onto archival, acid free rag paper and signed, titled and numbered on the front.
"Anasazi: Metamorphosis #artistsupportpledge"
$150
"Anasazi: Elder #artistsupportpledge"
Printmaking on Paper | 15x22 in
$150
"Anasazi: Descendant #artistsupportpledge"
Printmaking on Paper | 14x19.5 in
$150
"ANASAZI: Black Elk/Burden Bearer #artistsupportpledge"
Printmaking on Paper | 22x15 in
$150
"Anasazi: Medicine Woman #artistsupportpledge"
Printmaking on Paper | 19.5x13.8 in
$150
"Anasazi: Luminous Fibers #artistsupportpledge"
Printmaking on Paper | 15x22 in
$150
"Anasazi: Retrospect/Harvest #artistsupportpledge"
Printmaking on Paper | 14x19.5 in
$150
"ANASAZI: Water Spirit #artistsupportpledge"
Printmaking on Paper | 22x15 in
$150
"Chaco: Last Speaker of the Language"
Printmaking on Paper | 7.3x0.1 in
$135
"Anasazi: Blue Corn Maiden #artistsupportpledge"
Printmaking on Paper | 20x10.5 in
$150
"Anasazi: Ancestor #artistsupportpledge"
Printmaking on Paper | 22x15 in
$150
"ANASAZI: Basketmaker"
Printmaking on Paper | 13x0.1 in
$150
"Anasazi: Tribunal"
Printmaking on Paper | 7.3x0.1 in
$135
"Anasazi: Weaver #artistsupportpledge"
Printmaking on Paper | 14x19.5 in
$150
"Woman of Hard Substance...Just before the Dawn #artistsuppor"
Printmaking on Paper | 22x15 in
$150
"ANASAZI: Potter #artistsupportpledge"
Printmaking on Paper | 25.5x13 in
$150
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