Le voile bleu (2005) Painting by Pen

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 3 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 23.6in, Width 23.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $1,000 Figurative
Portrait d'une vieille femme portant fichu. Le modèle regarde le spectateur, un sourire dessiné sur les lèvres. La tête est en appui sur la main droite qui dénote par rapport à la carnation du visage par une teinte plus colorée. Le tissu autour de sa tête et de ses épaules est blanc rayé de bleu. Le fond est dans les tons bleus, du plus sombre[...]
Portrait d'une vieille femme portant fichu. Le modèle regarde le spectateur, un sourire dessiné sur les lèvres. La tête est en appui sur la main droite qui dénote par rapport à la carnation du visage par une teinte plus colorée. Le tissu autour de sa tête et de ses épaules est blanc rayé de bleu. Le fond est dans les tons bleus, du plus sombre au coin supérieur droit au plus clair vers la gauche.

Related themes

VieillePortrait

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Figurative Vieille portrait
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Pen Portrait
Pen
France
Jean Marie Pen was born in 1959 and began painting on canvas in 1994, with his earliest works being black and white portraits with a hint of blue. Then came still lifes and landscapes, one by one, with a palette[...]

Jean Marie Pen was born in 1959 and began painting on canvas in 1994, with his earliest works being black and white portraits with a hint of blue. Then came still lifes and landscapes, one by one, with a palette that was enriched by numerous tones. Only in oil, with no special influences other than a few Northern European artists and their bright masterpieces. Exhibitions in a few locations along the Côtes d'Armor, then in Saint-Pierre and Miquelon. Faces, classic still lifes, urban or coastal vistas are among his privileged subjects.

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