LES BOUEES DE PORT JOINVILLE 20X20 (2014) Printmaking by Isabelle Delamarre

Sold by Isabelle Delamarre

Certificate of Authenticity included

This artwork appears in 4 collections

Original Artwork Printmaking, Engraving on Paper

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Dimensions are available on request
Categories Printmaking under $500 Figurative

Technique: gravure à la pointe sèche J'ai dessiné au crayon une vue du port de Port-Joinville puis j'ai repris un détail de mon dessin et j'en ai fait une gravure. Je voulais mettre l' accent sur les bouées qui sont symboliques pour moi de ce que l'on peut se raccrocher à elles lorsqu'on est en difficulté,[...]

Isabelle Delamarre

Spain

Very impressed by the pictures painted by my grandmother in Indochina, I inherited her box of oils. My family refused me to present the fine arts. It was not a job or a place for a young girl in 1970. It was[...]

Painting is above all not a job , besides I have my job as a teacher in Applied Arts.

It's a deliberately free act, a way of being able to express something that seems obvious to me and that others don't see and that is updated by a process of updating. damages or intervenes the memory that mixes with the present moment. A kind of digestion at some point.

My first discovery was Lacquer, its material beauty, a rare and complete technique. (engraving gilding Coromandel) Then apprenticed in the job of lacquerer at ENSAAMA, diploma from the school, then job at the Saint Sabin workshops for Jansen in Paris, and Chaumet in restoration and creation.

I very early in 1978 initiated a creativity workshop using only recycled materials...influenced by outsider art, I endeavored to understand what is the source of the material. art, the creative moment...or the need to do, to empty oneself, to remember and to heal oneself through the materialization of a thought that tries to hold back time.

I don't I am constantly enriching my knowledge with old-fashioned painting at Pôle Atelier. At that time I participated in several small competitions on the banks of the Seine with prizes.

At the same time I discovered Engraving at the Maurice Denis Museum in Saint Germain en Laye. ..then to the ETR Ballistic workshop. Various stays in America, Spain, Tunisia enrich my memories.

Copper engraving is a way for me to reassess my impression with each print because "to start again is not to redo" ; (César) especially since the technique is artisanal.

Since 2013 you can find me in the engraving section at Art en Capital grand palais Paris every year in February.
Downloaded works here are recent works, this is only the visible part of my work.

Adolescence in Mallorca where I definitely return in 2019 and a trip to America, or the other side of the mirror.. from which I also draw my inspiration

Member of Manifestampe and the Taylor Foundation.