'' La musicienne '' (2018) Digital Arts by Gil'Ber Pautler

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Tableau dessin numérique sur verre cristal clair 6 mm Son nez est en trompette Et elle a des « haut-bois » Où mes doigts sont en quète D'un chant qui est en voie. Le galbe de ses hanches Est comme un violoncelle Où mon archet se penche Et flâne, s'ensorcèle. Elle vibre à ma baguette
Tableau dessin numérique sur verre cristal clair 6 mm

Son nez est en trompette
Et elle a des « haut-bois »
Où mes doigts sont en quète
D'un chant qui est en voie.
Le galbe de ses hanches
Est comme un violoncelle
Où mon archet se penche
Et flâne, s'ensorcèle.
Elle vibre à ma baguette
Quand on est en duo
Et l'orchestre à la fête
Nous joue u trémolo
C'est une musicienne
Qui charme tous mes sens
Et qui me fait la scène
En chantant mes silences

L. V.

Related themes

Musique

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Gil'Ber Pautler is a multidisciplinary artist who lives and works in Seltz (France). Through other more conceptual compositions, he uses his imagination to translate a story while associating recycled[...]

Gil'Ber Pautler is a multidisciplinary artist who lives and works in Seltz (France). Through other more conceptual compositions, he uses his imagination to translate a story while associating recycled materials occasionally from his old showroom. He translates his emotions, his rigor, the light that emerges from his works by digital drawing on paper or canvas and especially glass in large format, a technique from which he has made his strength and which gives him a true identity as an Artist. Its success was immediate.

His previous activity as a funeral director associated with carpentry allowed him to acquire a strong personal sensitivity and a deeper questioning about life. A metaphysical reflection that regularly nourishes him "La crOix... mOi... et..." digital drawing on glass and "The invisible reality... GOLD body in the O'beyond"... conceptual work that creates a dialogue between the real world, the virtual world and the "O'beyond"

In the end, he transposes into his pictorial practice all the qualities that have founded his professional value. We can also read the influence of Miro, Picasso, Chagall, Soulages, JM Basquiat, but also of Philippe Starck, Andrée Puttmann, Oscar Niemeyer, and Santiago Calatrava Valls in his work.

He allows himself to be surprised by an idea, a place, an object, a topicality, a detail and lets them impose themselves on him. For some it becomes an obvious reality, for others, I have to sit in front of my screen for a long time, to start and then start again, bathed in silence and ephemeral lines before finding the line or color that triggers truly his creation.

His varied works and themes, his hymns to women lend themselves to seeking the viewer's gaze, his personal interpretation. He makes pure emotion speak, through pure lines, through the harmony of his forms.

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