'' le cORps en OR dans l'Ô'dlà '' (2017) Sculpture by Gil'Ber Pautler

Sold by Gil'Ber Pautler

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Sold by Gil'Ber Pautler

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This artwork appears in 4 collections
Sculpture conceptuelle en 2 parties '' La réalité invisible...cORps en OR dans l'Ô'delà '' Partie basse comprenant: un 1/2 cercueil dans un muret avec accessoires ( 2 poignées + 3 vis avec enjoliveurs + 1 robinet, + 1 phrase lettrée '' le cORps en OR '' + 1 petit vase et 2 mains ) en plaqués or
Sculpture conceptuelle en 2 parties '' La réalité invisible...cORps en OR dans l'Ô'delà ''
Partie basse comprenant: un 1/2 cercueil dans un muret avec accessoires ( 2 poignées + 3 vis avec enjoliveurs + 1 robinet, + 1 phrase lettrée '' le cORps en OR '' + 1 petit vase et 2 mains ) en plaqués or
230 x 122 x 60
Tableau haut panneau 200 x 90 x 3 + 1 panneau en verre clair blanc sécurit 6 mm avec 1 texte :

La réalité invisible... cORps en OR dans l'Ô'delà

En créant ce qu'il appelle une '' forme de quatrième dimension '', il matérialise une conjonction entre le monde réel,
le monde virtuel et l'Ô'delà.

Ce discours caractérise au mieux le travail de l'artiste, mêlant l'Art et Vie, toujours à la croisée des chemins.
Avec son esprit de poète, la créativité, l'extrapolation intellectuelle, il retranscrit la vie par l’intermédiaire de la mort.

Quelle vie  ?
Quelles vies  !!!
Une vie ...

La même pour tous après la mort
Nous avons tous un
cORps en OR après la mORt
gil'Ber pAutLer

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Art Conceptuel

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Gil'Ber Pautler is a multidisciplinary artist who lives and works in Seltz (France). Through other more conceptual compositions, he uses his imagination to translate a story while associating recycled[...]

Gil'Ber Pautler is a multidisciplinary artist who lives and works in Seltz (France). Through other more conceptual compositions, he uses his imagination to translate a story while associating recycled materials occasionally from his old showroom. He translates his emotions, his rigor, the light that emerges from his works by digital drawing on paper or canvas and especially glass in large format, a technique from which he has made his strength and which gives him a true identity as an Artist. Its success was immediate.

His previous activity as a funeral director associated with carpentry allowed him to acquire a strong personal sensitivity and a deeper questioning about life. A metaphysical reflection that regularly nourishes him "La crOix... mOi... et..." digital drawing on glass and "The invisible reality... GOLD body in the O'beyond"... conceptual work that creates a dialogue between the real world, the virtual world and the "O'beyond"

In the end, he transposes into his pictorial practice all the qualities that have founded his professional value. We can also read the influence of Miro, Picasso, Chagall, Soulages, JM Basquiat, but also of Philippe Starck, Andrée Puttmann, Oscar Niemeyer, and Santiago Calatrava Valls in his work.

He allows himself to be surprised by an idea, a place, an object, a topicality, a detail and lets them impose themselves on him. For some it becomes an obvious reality, for others, I have to sit in front of my screen for a long time, to start and then start again, bathed in silence and ephemeral lines before finding the line or color that triggers truly his creation.

His varied works and themes, his hymns to women lend themselves to seeking the viewer's gaze, his personal interpretation. He makes pure emotion speak, through pure lines, through the harmony of his forms.

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