Interior transformation Painting by G. Orrico

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Certificate of Authenticity included
  • Original Artwork Painting, Oil on Canvas
  • Dimensions Height 31.5in, Width 16.1in
  • Categories Paintings under $1,000 Outsider Art
“We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time.” T.S. Eliot, “Little Giddin” Some experiences cause a flurry of unexpected sensations, which often leads to insecurity, only because they make changes.
“We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.”

T.S. Eliot, “Little Giddin”

Some experiences cause a flurry of unexpected sensations, which often leads to insecurity, only because they make changes.
When, one day, after having lived one of those transformations, someone advised me to reflect on the laws of the “house” in which we are, temporarily, tenants, the planet where we live.
That person asked me to associate my experience to a greater rule: the cycles of nature. In our "temporary home", she added, “we know several seasons of the year, various cycles of life”. Later, she invited me to think of Autumn, apparently, a time of loss, as a period of true harmony and order replacement. "The trees lose their leaves, so that they may be alive next season; then they reborn, stronger, full of sap, in the spring; and it all begins again as if for the first time", she continued.
Today, I admire the wisdom of the person who told me these words and I know it's after moments of transformation that we discover who we are.
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I was born in Lisbon.My father was portuguese, but part of my mother’s familly is italian. My first passion in life, in what concerns art production, was Literature.I studied Literature in a portuguese[...]

I was born in Lisbon.My father was portuguese, but part of my mother’s familly is italian.
My first passion in life, in what concerns art production, was Literature.I studied Literature in a portuguese university, I did a master’s degree in Compared Literature and I taught in a secondary school and in an university.I discovered oil painting when I was studying History of Art (as sculpture, architecture). At that time - my adolescence - I realize I liked every form of art expression.I understood that my life would be richer, if I surrounded myself of beauty (later, I would know that all human beings are sensitive to aesthetics), because it is related with the pleasure of the senses and of the soul). I had, too, the clear perception that who makes art has something to tell. I could learn so much! I had the heritage of Humanity.I was fascinated by Michelangelo, Da Vinci, the divine proportion, introduced in the painting, by the Baroque painters, the game between light and shadow, the movement, the sensuality, the bright colors, by co Delacroix, who gave us “Liberty leading the people”; by the clouds of Turner, by the “impression” of Monet, by the existentialist expressionism of Munch and the symbolism of Klimt; by the abstractionism of Kandinsky,by the irreverence of Dalí, the audacity of Picasso, by Pollock, and by so many others, that made world change, because art is the expression of the essence of the human being, of his imaginary, of his values, of his complaint, of his fight, of his incessant search of himself to achieve his deepest desires. Painting became a travel; I could/can forget the space and the time I was/am living and penetrate a world of pure evasion.Suddenly, I felt that situations I was experiencing made me enter in the universe of reflection and I began to paint motivated by my feelings and my thoughts about circumstances, relationship, society, concept of personality, reality, good and bad as relative, perishable constructions.. I created a dreamlike universe, based in the “short stories” that are the thought behind the canvas, translated in color, suggesting depth, subjects that are common to all mortals and that are closely related with the human condition and to what makes us alike. In my paintings, the absence of defined forms or mimesis are the representation of thbeing and the possibility of seeing reality of several angles,making invitations to different interpretation, because I know who sees recreates the complexity of human a painting that is not mine anymore.

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