Red element (2018) Painting by Ezio Grelli

Sold by Ezio Grelli

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Max resolution: 1376 x 1825 px

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Original Artwork Painting, Acrylic on Canvas

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 15.8in, Width 11.8in
Categories Abstract

About this artwork: Classification, Techniques & Styles Acrylic Paint using traditional pigments mixed with synthetic resins. [...]

Ezio Grelli

Italy

Convinced advocate and supporter of the stylistic expression of an informal abstract trend that is unconventional, Ezio Grelli was born on August 20, 1975 in Differdange, a small town in Luxembourg. As a child he was a rebellious child with a great propensity for creativity and manual skill, endowed with his powerful and visionary imagination. Thanks to a strong curiosity, over time he channeled, by himself, his qualities up to working in the world of body art as a tattoo artist. In the first periods his attentions were turned to painting, to drawing in the academic sense if we want, then slowly the acquired skills were turned to the creation of specific projects for his work, never abandoning painting completely, and research in the artistic field, which has continued to practice in flashes and in alternate phases in the free time that the work granted. Over the years his desire to paint more consistently re-emerged, as painting and artistic research allowed him to be much more free and free from rules and impositions than was possible by creating design and projects for the body art, and therefore to be able to find a greater personal fulfillment, and it is for this reason, that in recent times his artistic research has taken over, and has become the driving force of everything that pursues ... His narrative system made up of stratifications and material overlaps, textures, scratches and material first added and then removed, follows a precise mental order, in which the two-dimensionality is associated with a plastic formula, which allows to identify different perspectives and dimensional plans, in order to make visible the multiple connections between spirit and matter.