Arbre I (2012) Painting by Lorenz

Acrylic on Canvas, 39.4x39.4 in
$4,164.08
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Sold by Lorenz
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Sold by Lorenz

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 39.4in, Width 39.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Figurative Nature
Acrylique sur toile About this artwork: Classification, Techniques & Styles Acrylic Paint using traditional pigments mixed with synthetic resins.
Acrylique sur toile

Related themes

ArbreTreePaysageLandscapeNature Beauté

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"Emilien Corbinaud Lorenz, who signs his paintings Lorenz, took lessons from Alain Roy several years ago. He defines his works as imbued with a fantastic character, which can be found in his compositions in[...]

"Emilien Corbinaud Lorenz, who signs his paintings Lorenz, took lessons from Alain Roy several years ago. He defines his works as imbued with a fantastic character, which can be found in his compositions in which he likes to highlight animal power.Some of his paintings also reflect his architectural career, unless his studies as an architect are a reflection of his pictorial gaze... This now Parisian likes to return to Port-d'Envaux where his parents live and where he has many friends."

Excerpt from the SOUTH WEST article of December 20, 2017 by Jean-Jacques Vrillaud

" Emilien Corbinaud Lorenz, who signs his paintings Lorenz, took lessons with Alain Roy, several years ago. He defines his works as imprints of a fantastic character, which we find in his compositions in which he likes highlighting the animal power. Some of his paintings also translate his architectural courses, unless his studies of architect are the reflection of his pictorial look … It from now on Parisian likes returning to Port-d'Envaux where his parents live and where he counts many friends."

Extract of the article SOUTHWEST of December 20th, 2017 by Jean-Jacques Vrillaud

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