Burning Drakkar (2018) Painting by Eliza Matica

Oil on Canvas, 27.6x19.7 in
$942.24
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork is framed
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions 29.5x21.7 in
    Dimensions of the work alone, without framing: Height 27.6in, Width 19.7in
  • Framing This artwork is framed
  • Categories Paintings under $1,000 Expressionism
Burning Drakkar - Viking Burial 2018 Oil on canvas First time exposed at "Efemeride" personal exhibition 2018 Viking. Burial. Drakkar. In flames. " Þat mælti mín móðir, at mér skyldi kaupa fley ok fagrar árar, fara á brott með víkingum, standa upp[...]
Burning Drakkar - Viking Burial
2018 Oil on canvas
First time exposed at "Efemeride" personal exhibition 2018


Viking. Burial. Drakkar. In flames.

" Þat mælti mín móðir,
at mér skyldi kaupa
fley ok fagrar árar,
fara á brott með víkingum,
standa upp í stafni,
stýra dýrum knerri,
halda svá til hafnar
höggva mann ok annan."

"Thus spake my mother
That for me should they buy
A barque and beauteous oars
To go forth with vikings.
Stand in the stern,
Steer a dear vessel,
Hold course for a haven,
Hew down many foemen."

Egill Skallagrímsson (c. 904 – c. 995)

Related themes

VikingDrakkarMortalityBurialRituals

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Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter . We will see... 2018-2019[...]

Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter. We will see...

2018-2019 Postwar Abstract Painting MoMA   New York,New York,                                      United States                                                            
2001-2005 Master Degree in Psychology Bucharest, Romania
1994-1999 Master Degree Philosophy Bucharest, Romania

All my paintings have in common a mental reality, not a physical one.
I am against painting that is based only on observation and theory, painting as if done by robot, painting that has the safety net of theories in painting.
I want to explain what and how I paint, I will define it as a relationship between a mode of observation (internal and external) and a way of expressing it. This is the answer for which some works need to express the idea of figurative, others go to abstract or symbols and each one needs a different way to be realized.
I do not paint a landscape, idea, theme, in an established pictorial way, I do not follow the theories and clearly established criteria. Depending on the psychological state of what I want to express, then I use one of many modes of expression in painting.
In painting you can use color and size not only according to the physical reality, but also according to the mental reality. I am convinced that everyone had the surprise to find and find in places that have a different outline and other physical and emotional dimensions. After a while, longer or shorter, the fountain from which the water once drank changed its size.
I do not paint with the same emotion, but under an emotional complex, this is why some works are intuitive, others are strongly rationalized.

In each paper I had to tolerate the uncertainty, not knowing where the idea goes, to change the way the subject is played. There were quick endings, but there were also roads that closed and I had to resume and investigate what I want and I like the search.
I tried to formulate what happens when I stand in front of a canvas, without exposing all the "cognitive maneuvers", the interpretation is left to those who regard, the benefit is both.
This is what those who have already started digesting my paintings from the three years since I woke up in painting know this.
So let's see outside what is not foreign to us inside!

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