The Shepherd (2019) Painting by Eliza Matica

Oil on Canvas, 31.1x23.2 in
$1,332.75
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 4 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 31.1in, Width 23.2in
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Impressionism
“Truly, truly, I say to you, he who does not enter the sheepfold by the door but climbs in by another way, that man is a thief and a robber. But he who enters by the door is the shepherd of the sheep. To him the gatekeeper opens. The sheep hear his voice, and he calls his own sheep by name and leads them out. When he has brought out[...]
“Truly, truly, I say to you, he who does not enter the sheepfold by the door but climbs in by another way, that man is a thief and a robber.
But he who enters by the door is the shepherd of the sheep.
To him the gatekeeper opens. The sheep hear his voice, and he calls his own sheep by name and leads them out.
When he has brought out all his own, he goes before them, and the sheep follow him, for they know his voice.
A stranger they will not follow, but they will flee from him, for they do not know the voice of strangers.”
This figure of speech Jesus used with them, but they did not understand what he was saying to them.

So Jesus again said to them, “Truly, truly, I say to you, I am the door of the sheep.
All who came before me are thieves and robbers, but the sheep did not listen to them.
I am the door. If anyone enters by me, he will be saved and will go in and out and find pasture.
The thief comes only to steal and kill and destroy. I came that they may have life and have it abundantly.
I am the good shepherd. The good shepherd lays down his life for the sheep.
He who is a hired hand and not a shepherd, who does not own the sheep, sees the wolf coming and leaves the sheep and flees, and the wolf snatches them and scatters them.
He flees because he is a hired hand and cares nothing for the sheep.
I am the good shepherd. I know my own and my own know me,
just as the Father knows me and I know the Father; and I lay down my life for the sheep.
And I have other sheep that are not of this fold. I must bring them also, and they will listen to my voice. So there will be one flock, one shepherd.
For this reason the Father loves me, because I lay down my life that I may take it up again.
No one takes it from me, but I lay it down of my own accord. I have authority to lay it down, and I have authority to take it up again. This charge I have received from my Father.”

John, 10

Related themes

ShepherdJesusSheepFlock

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Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter . We will see... 2018-2019[...]

Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter. We will see...

2018-2019 Postwar Abstract Painting MoMA   New York,New York,                                      United States                                                            
2001-2005 Master Degree in Psychology Bucharest, Romania
1994-1999 Master Degree Philosophy Bucharest, Romania

All my paintings have in common a mental reality, not a physical one.
I am against painting that is based only on observation and theory, painting as if done by robot, painting that has the safety net of theories in painting.
I want to explain what and how I paint, I will define it as a relationship between a mode of observation (internal and external) and a way of expressing it. This is the answer for which some works need to express the idea of figurative, others go to abstract or symbols and each one needs a different way to be realized.
I do not paint a landscape, idea, theme, in an established pictorial way, I do not follow the theories and clearly established criteria. Depending on the psychological state of what I want to express, then I use one of many modes of expression in painting.
In painting you can use color and size not only according to the physical reality, but also according to the mental reality. I am convinced that everyone had the surprise to find and find in places that have a different outline and other physical and emotional dimensions. After a while, longer or shorter, the fountain from which the water once drank changed its size.
I do not paint with the same emotion, but under an emotional complex, this is why some works are intuitive, others are strongly rationalized.

In each paper I had to tolerate the uncertainty, not knowing where the idea goes, to change the way the subject is played. There were quick endings, but there were also roads that closed and I had to resume and investigate what I want and I like the search.
I tried to formulate what happens when I stand in front of a canvas, without exposing all the "cognitive maneuvers", the interpretation is left to those who regard, the benefit is both.
This is what those who have already started digesting my paintings from the three years since I woke up in painting know this.
So let's see outside what is not foreign to us inside!

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