Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
Inferno (2019) Painting by Eliza Matica
More info
- Packaging (Box or cardboard packaging) All artworks are shipped with a premium carrier, carefully protected and insured.
- Tracking Order tracking until the parcel is delivered to the buyer. A tracking number will be provided so that you can follow the parcel in real-time.
- Delay Most packages are delivered worldwide within 1 to 3 weeks (Estimate)
- Customs not included The price does not include customs fees. Most countries have no import tax for original artworks, but you may have to pay the reduced VAT. Customs fees (if any) are to be calculated on arrival by the customs office and will be billed separately by the carrier.
More info
- Trackable Online Certificate of Authenticity Authenticity Certificates can be verified online at any moment by scanning the artwork code.
- Artist Value Certification Experts study the work and career of an artist then establish an independent and reliable average price value. The average price value situates the artist on a price range for a given period. The experts may also be asked to establish a more precise estimate for a particular work.
More info
100% secure payment with SSL certificate + 3D Secure.
More info
This image is available for download with a licence
Sold by Eliza Matica
-
Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 39.4in, Width 47.2in
- Framing This artwork is not framed
- Categories Paintings under $5,000 Conceptual Art
First time presented at my personal exhibition Nuances at "Centrul Cultural si de Tineret pentru UNESCO" – “Nicolae Balcescu” – Bucharest - 18.07.2019
More about the exhibition : paintedbyme.portfolio.site/nuances-unesco-center-18072019
Dante Alighieri – Inferno
So I went on alone and even farther
Along the seventh circle’s outer margin,
To where the melancholy people sat.
Despondency was bursting from their eyes;
This side, then that, their hands kept fending off,
At times the flames, at times the burning soil:
Not otherwise do dogs in summer-now
With muzzle, now with paw-when they are bitten
By fleas or gnats or by the sharp gadfly.
When I had set my eyes upon the faces
Of some on who the painful fire falls,
I recognized no one; but I did notice
That from the neck of each a purse was hung
That had a special color or an emblem,
And their eyes seemed to feast upon these pouches.
Looking about-when I had come among them-
I saw a yellow purse with azure on it
That had the face and manner of a lion.
Then, as I let my eyes move further on,
I saw another purse that was bloodred,
And it displayed a goose more white than butter.
#inferno #others #hands #horror
Related themes
Born. Education. Master in philosophy. Back to school. Master in Psychology. Work. Psychotherapist. Painter. We will see...
2018-2019 Postwar Abstract Painting MoMA New York,New York, United States
2001-2005 Master Degree in Psychology Bucharest, Romania
1994-1999 Master Degree Philosophy Bucharest, Romania
All my paintings have in common a mental reality, not a physical one.
I am against painting that is based only on observation and theory, painting as if done by robot, painting that has the safety net of theories in painting.
I want to explain what and how I paint, I will define it as a relationship between a mode of observation (internal and external) and a way of expressing it. This is the answer for which some works need to express the idea of figurative, others go to abstract or symbols and each one needs a different way to be realized.
I do not paint a landscape, idea, theme, in an established pictorial way, I do not follow the theories and clearly established criteria. Depending on the psychological state of what I want to express, then I use one of many modes of expression in painting.
In painting you can use color and size not only according to the physical reality, but also according to the mental reality. I am convinced that everyone had the surprise to find and find in places that have a different outline and other physical and emotional dimensions. After a while, longer or shorter, the fountain from which the water once drank changed its size.
I do not paint with the same emotion, but under an emotional complex, this is why some works are intuitive, others are strongly rationalized.
In each paper I had to tolerate the uncertainty, not knowing where the idea goes, to change the way the subject is played. There were quick endings, but there were also roads that closed and I had to resume and investigate what I want and I like the search.
I tried to formulate what happens when I stand in front of a canvas, without exposing all the "cognitive maneuvers", the interpretation is left to those who regard, the benefit is both.
This is what those who have already started digesting my paintings from the three years since I woke up in painting know this.
So let's see outside what is not foreign to us inside!
-
Nationality:
ROMANIA
- Date of birth : 1974
- Artistic domains: Works by artists with a certified artist value,
- Groups: Certified Artists Romanian Contemporary Artists
See more from Eliza Matica
