Pistil (2014) Photography by Elise Vincent

Photography, 15.8x23.6 in
$422.81
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Mounted on Aluminium
This artwork appears in 1 collections
Pistil, photographie numérique, 2014 © Elise Vincent Tirage n°2/30 sur papier Fujifilm Archive Crystal HD contrecollé sur dibond aluminium, 40 x 60 cm. Système d'accrochage : 2 attaches adhésives 40mm. Couleurs dominantes : rose, noir. [...]
Pistil, photographie numérique, 2014 © Elise Vincent

Tirage n°2/30 sur papier Fujifilm Archive Crystal HD contrecollé sur dibond aluminium, 40 x 60 cm.
Système d'accrochage : 2 attaches adhésives 40mm.

Couleurs dominantes : rose, noir.

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PistilFleurPhotographieArt DigitalParis

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Elise Vincent is a visual artist who lives and works in the Paris region (France). She was born in 1990, she began photography in 2006. Her plastic research took shape in 2010 and she exhibited for[...]

Elise Vincent is a visual artist who lives and works in the Paris region (France). She was born in 1990, she began photography in 2006. Her plastic research took shape in 2010 and she exhibited for the first time in 2011.

His creation is based on photography and digital transformation. Beyond aesthetics, she is interested in the narrativity of images. His creative universe is imbued with dreams and invites the viewer to stroll through the depths of his imagination. Most of the time, she tends towards abstraction and her visuals show a certain pictoriality.

She takes her shots during "photographic walks" or spontaneously if an element of the surrounding decor catches her eye. She transforms sometimes banal real elements to bring out their intrinsic poetry. His photographs are elaborated in series. A few rare visuals exist in isolation.

The final creations arise "instinctively" or are part of a theme thought out from the shooting. The basic material must be rich: a pile of rubbish, for example, can become a real gold mine for her. What matters above all are the relief and the contrasts already present. The deformed material reinvents itself over the cursor and must be able to take shape in a look.

For her, the real freedom lies in the imagination. Elise Vincent's objective is therefore to encourage the viewer to explore and develop his own. What she wants is to create a story, for the viewer to see characters where there is only wood, a storm when its starting point is only the reflection of water, insects when they are stains. There is no limit to the emotions aroused by an image or to the reading that can be made of it, especially if it is abstract.

Nature is the main source of inspiration for Elise Vincent, followed by literature and cinema. She sees photos as little windows into the world – our inner worlds. And it's an idea that the square format, which she has been using mainly since 2017, reinforces.

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