Guy in the shadows (2019) Photography by Elise Vincent

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"Guy in the shadows" n°1/30, photographie numérique retouchée, 2019 © Elise Vincent Tirage sur papier fine art classique 15 x 15 cm, avec passe-partout et encadrement sous verre 20 x 20 cm. Signé et numéroté au dos. Certificat d'authenticité. Couleurs dominantes : bleu, noir, blanc. La stabilité[...]
"Guy in the shadows" n°1/30, photographie numérique retouchée, 2019 © Elise Vincent

Tirage sur papier fine art classique 15 x 15 cm, avec passe-partout et encadrement sous verre 20 x 20 cm.
Signé et numéroté au dos. Certificat d'authenticité.

Couleurs dominantes : bleu, noir, blanc.

La stabilité des couleurs d'un tirage sur papier fine art est estimée à 75-100 ans.

Le prix inclut les frais de livraison.

Possibilité de commander un tirage de format et support différent, avec ou sans encadrement. Prendre contact pour un devis.

Du 1er au 10 mars 2019, Elise Vincent participe à la résidence d'artistes en ligne "Ten days of Art" du magazine londonien Murze. Objectif pour les participants : produire chaque jour une ou plusieurs œuvres et documenter autant que possible son processus créatif. Elise réalise au total 28 photographies. "Hippopotamus" est publiée dans la revue Murze n°5, avril 2019.

Premier jour : 1er mars 2019.

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Elise Vincent is a visual artist who lives and works in the Paris region (France). She was born in 1990, she began photography in 2006. Her plastic research took shape in 2010 and she exhibited for[...]

Elise Vincent is a visual artist who lives and works in the Paris region (France). She was born in 1990, she began photography in 2006. Her plastic research took shape in 2010 and she exhibited for the first time in 2011.

His creation is based on photography and digital transformation. Beyond aesthetics, she is interested in the narrativity of images. His creative universe is imbued with dreams and invites the viewer to stroll through the depths of his imagination. Most of the time, she tends towards abstraction and her visuals show a certain pictoriality.

She takes her shots during "photographic walks" or spontaneously if an element of the surrounding decor catches her eye. She transforms sometimes banal real elements to bring out their intrinsic poetry. His photographs are elaborated in series. A few rare visuals exist in isolation.

The final creations arise "instinctively" or are part of a theme thought out from the shooting. The basic material must be rich: a pile of rubbish, for example, can become a real gold mine for her. What matters above all are the relief and the contrasts already present. The deformed material reinvents itself over the cursor and must be able to take shape in a look.

For her, the real freedom lies in the imagination. Elise Vincent's objective is therefore to encourage the viewer to explore and develop his own. What she wants is to create a story, for the viewer to see characters where there is only wood, a storm when its starting point is only the reflection of water, insects when they are stains. There is no limit to the emotions aroused by an image or to the reading that can be made of it, especially if it is abstract.

Nature is the main source of inspiration for Elise Vincent, followed by literature and cinema. She sees photos as little windows into the world – our inner worlds. And it's an idea that the square format, which she has been using mainly since 2017, reinforces.

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