Main de pierre (2019) Photography by Elise Vincent
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This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
on Paper
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Abstract
Un géant plonge sa main dans l'eau, il en remonte paume ouverte, quelques particules.
Dans l'autre, il tient une matraque.
Tirage sur papier fujifilm crystal archive 30 x 30 cm, contrecollé sur carton mousse 5 mm.
Signé et numéroté au dos. Certificat d'authenticité.
La stabilité des couleurs d'un tirage sur papier fujifilm crystal archive est estimée à 30 ans.
Couleurs dominantes : bleu, noir, jaune.
Le prix inclut les frais de livraison.
Possibilité de commander un tirage de format et support différent, avec ou sans encadrement. Prendre contact pour un devis.
Série "Particules en fables"
Dans cette série de quinze photographies, semblent se confondre l’imagerie médiévale et l’univers des contes de fées. C’est du moins ce que laissent entendre les titres choisis.
Un anneau, symbole du glissement d’un monde à l’autre, nous invite à ouvrir une trappe donnant vers ailleurs. Une main de pierre – celle d’un géant peut-être – plonge sous l’eau pour laisser remonter à la surface les légendes oubliées. Au détour d’une mare en fusion, le farfadet et le dragon veillent sur leur trésor de gemmes. La nature tour à tour stupéfiante, mystérieuse ou inquiétante donne lieu à quelques visions de spectre et de faufils végétaux…
C’est notre imaginaire collectif qui est ici convoqué ; un prétexte en vérité pour laisser s’ouvrir les portes de notre propre fantaisie. Tout est question d’interprétation. Plus que l’esthétique, c’est le récit que nous nous contons qui fait acte de résonance en nous, et face à une image abstraite, le champ des possibles est vaste.
Related themes
Elise Vincent is a visual artist who lives and works in the Paris region (France). She was born in 1990, she began photography in 2006. Her plastic research took shape in 2010 and she exhibited for the first time in 2011.
His creation is based on photography and digital transformation. Beyond aesthetics, she is interested in the narrativity of images. His creative universe is imbued with dreams and invites the viewer to stroll through the depths of his imagination. Most of the time, she tends towards abstraction and her visuals show a certain pictoriality.
She takes her shots during "photographic walks" or spontaneously if an element of the surrounding decor catches her eye. She transforms sometimes banal real elements to bring out their intrinsic poetry. His photographs are elaborated in series. A few rare visuals exist in isolation.
The final creations arise "instinctively" or are part of a theme thought out from the shooting. The basic material must be rich: a pile of rubbish, for example, can become a real gold mine for her. What matters above all are the relief and the contrasts already present. The deformed material reinvents itself over the cursor and must be able to take shape in a look.
For her, the real freedom lies in the imagination. Elise Vincent's objective is therefore to encourage the viewer to explore and develop his own. What she wants is to create a story, for the viewer to see characters where there is only wood, a storm when its starting point is only the reflection of water, insects when they are stains. There is no limit to the emotions aroused by an image or to the reading that can be made of it, especially if it is abstract.
Nature is the main source of inspiration for Elise Vincent, followed by literature and cinema. She sees photos as little windows into the world – our inner worlds. And it's an idea that the square format, which she has been using mainly since 2017, reinforces.
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Nationality:
FRANCE
- Date of birth : 1990
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
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