Freemasonry (1956) (1956) Painting by Eve B'Ay

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  • Original Artwork Painting,
  • Dimensions Height 15.8in, Width 13.4in
This artwork is from the late 1950-ies, expresses the artist's objection to the attempt of the then communist-type regime to exercise controll over scientists and artists and their activities after the 1956 uprising. It can be understood as a direct political statement by the artist in favour of artistic freedom. In the structure of the[...]
This artwork is from the late 1950-ies, expresses the artist's objection to the attempt of the then communist-type regime to exercise controll over scientists and artists and their activities after the 1956 uprising. It can be understood as a direct political statement by the artist in favour of artistic freedom.
In the structure of the painting appear the collage-philosophy which has become predominant in the artist's work after 1974.
It is a pen-drawing with watercolour (gouache) (mixed technique).
The artwork has appeared in auctions in Budapest in 2004 and 2005 (BudapestAuction, Christmassale). It has been re-sold by the Belvedere Salon, Budapest in 2009 and professionally restorated by the Rakpart Gallery, Budapest.

Related themes

Symbols Of Free MasonryOf Free Thinking And Artistic Freedom

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Éva Bednay (Eve B’ay) Fine Artist, Painter was born in Budapest, May 1. 1927. In 1946 she graduated from the Hungarian College of Arts and Crafts. Her masters were Endre Domanovszky, Aladár Kazciány, Erzsébet[...]

Éva Bednay (Eve B’ay) Fine Artist, Painter was born in Budapest, May 1. 1927. In 1946 she graduated from the Hungarian College of Arts and Crafts. Her masters were Endre Domanovszky, Aladár Kazciány, Erzsébet Páris.
At the age of 43 she emigrated from Hungary. She lived in New York between 1972 and 1974. She had several exhibitions in New York, Cleveland and Chicago. After her years in the USA, she settled down in West-Germany, Bonn. During her study trips she visited many European countries. After 1989 she has been working parallelly in Bonn and Budapest.
She developed her distinctive style during the 60’s. Her new way of using materials and vibrant colours make her figurative pictures so diverse. Additional to oil, she also made use of Eastern Asian varnishing techniques and implementing various materials, such as plastic, glass, organic leaves. Her change of style during the 80’s was marked by the usage of silk and oil crayons. She has become recognized with her collage-like creations. She had two large-scale retrospective exhibitions in The Netherlands and in Budapest, in 2009 and 2010, respectively. Her monography has been published in 2010 in Budapest in three lenguages (Hungarian, German and English).

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