EQUALITY, FREEDOM TO MOVE » (2019) Collages by Dominique Kerkhove (DomKcollage)

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« EQUALITY, FREEDOM TO MOVE » est composé de 4 panneaux assemblés ensemble pour : 2,24 x 2,24 m - est ma dernière création lors de la Bangla Biennale 2019 à Komdhara, Inde. Ce Collage fait partie de la série évolutive « WHAT I WE NEED IS … » . Il est composé d'affiches diverses arrachées à Paris et Kolkata (Inde). « EQUALITY »[...]
« EQUALITY, FREEDOM TO MOVE » est composé de 4 panneaux assemblés ensemble pour : 2,24 x 2,24 m - est ma dernière création lors de la Bangla Biennale 2019 à Komdhara, Inde. Ce Collage fait partie de la série évolutive « WHAT I WE NEED IS … » . Il est composé d'affiches diverses arrachées à Paris et Kolkata (Inde).

« EQUALITY » , montre l’ universalité de l’importance pour l’humanité de l’égalité Hommes et Femmes. Pas de Super Héros sans Super(e) Héroïne. Ou si un homme peut être masser le contraire et possible.

« FREEDOM TO MOVE » est traduit par la partie où l’on voit un H franchir un grillage tandis qu’une Femme le fait dans l’autre sens. C’est ici un clin d’oeil à notre époque.

Le # est un éléments que l’on retrouve dans tous mes collages (MadeReady) depuis quelques années. Première lettre du nouveau siècle, il renforce mon message, mon questionnement.

Ce collage fait partie de la collection privée de l’association Indienne Narrative Movement, fondatrice de la Bangla Biennale.
Il sera visible dans diverses exposition en Inde et à l’étranger.

Related themes

CollageAppropriationModern Art

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Kerkhove Dominique, alias Dom(K) is an artist, Euro citizen, tireless walker and patient observer, he search on the walls of cities what makes my raw material: the poster. Ecological Realistic, he use what[...]

Kerkhove Dominique, alias Dom(K) is an artist, Euro citizen, tireless walker and patient observer, he search on the walls of cities what makes my raw material: the poster. Ecological Realistic, he use what already exists to transform it. He create "Made-Ready" (or collages) from torn posters. He breathe a new destiny into an ephemeral urban creation to make a contemporary work that fits into time. Free from the straitjacket of a specific doctrine, he recognize, however, a technical proximity used by certain artists: exploitation of under posters (Dufresnes), all over (Pollock), take-off (Vostell). Made-Ready is not a style of collage but an approach that expresses itself through a plurality of pictorial forms whose central element is the paper (poster) resulting (torn) from an urban context. Despite various attempts at hierarchical classification, my work is in no way allegorical. It is concrete and materialistic. It is a narrative work of incarnation. I consciously try to give body to the sensations and perceptions, ideas and values, which constitute my artistic universe. With his Made-Ready he translate his emotions into evolving series (questionings) whose themes address a society in full industrial, moral and climatic change. Made-Ready" where he invite the spectator to react on his own certainties and evidences. A subtle game between voluntary and involuntary memory. Close to the art brut, I define my resolutely abstract positioning for a thematic yet figurative of our society."

The Artist was highlighted in an article in Artmajeur Magazine:

See more from Dominique Kerkhove (DomKcollage)

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