Hello (2016) Collages by Dominique Kerkhove (DomKcollage)

Sold by Dominique Kerkhove (DomKcollage)

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"Hey mademoiselle, dit-il en la croisant dans la rue. Charmante ! Il insiste, son regard lourd de sous-entendus. Puis, sans attendre, il ajoute : “Tu me donnes ton numéro ?” La scène est classique, presque banale. Une femme marche, perdue dans ses pensées, et un inconnu s’immisce dans son espace personnel. C’est un scénario quasi quotidien pour[...]
"Hey mademoiselle, dit-il en la croisant dans la rue. Charmante ! Il insiste, son regard lourd de sous-entendus. Puis, sans attendre, il ajoute : “Tu me donnes ton numéro ?” La scène est classique, presque banale. Une femme marche, perdue dans ses pensées, et un inconnu s’immisce dans son espace personnel. C’est un scénario quasi quotidien pour de nombreuses femmes.

Ce MadeReady symbolise ce harcèlement, cette intrusion impromptue dans la vie d’une femme. Mais il pose également une question essentielle : comment pouvons-nous, à notre époque, inventer un romantisme égalitaire et respectueux ? Les avances insistantes et non sollicitées ne sont pas flatteuses, elles sont oppressantes. Le respect mutuel et la compréhension des limites de l’autre devraient être au cœur de toute interaction romantique. Nous devons œuvrer ensemble pour créer un monde où chacun se sent en sécurité et respecté, sans que cela ne soit au détriment de l’autre.

Le romantisme ne devrait pas être synonyme de harcèlement, mais plutôt d’attention sincère, de consentement mutuel et de bienveillance. C’est à nous de réinventer ces normes et de construire un avenir où le respect et l’égalité sont au centre de nos relations.

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Kerkhove Dominique, alias Dom(K) is an artist, Euro citizen, tireless walker and patient observer, he search on the walls of cities what makes my raw material: the poster. Ecological Realistic, he use what[...]

Kerkhove Dominique, alias Dom(K) is an artist, Euro citizen, tireless walker and patient observer, he search on the walls of cities what makes my raw material: the poster. Ecological Realistic, he use what already exists to transform it. He create "Made-Ready" (or collages) from torn posters. He breathe a new destiny into an ephemeral urban creation to make a contemporary work that fits into time. Free from the straitjacket of a specific doctrine, he recognize, however, a technical proximity used by certain artists: exploitation of under posters (Dufresnes), all over (Pollock), take-off (Vostell). Made-Ready is not a style of collage but an approach that expresses itself through a plurality of pictorial forms whose central element is the paper (poster) resulting (torn) from an urban context. Despite various attempts at hierarchical classification, my work is in no way allegorical. It is concrete and materialistic. It is a narrative work of incarnation. I consciously try to give body to the sensations and perceptions, ideas and values, which constitute my artistic universe. With his Made-Ready he translate his emotions into evolving series (questionings) whose themes address a society in full industrial, moral and climatic change. Made-Ready" where he invite the spectator to react on his own certainties and evidences. A subtle game between voluntary and involuntary memory. Close to the art brut, I define my resolutely abstract positioning for a thematic yet figurative of our society."

The Artist was highlighted in an article in Artmajeur Magazine:

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