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Spéculation (2019) Painting by Dimi Tabacelea
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Original Artwork (One Of A Kind)
Painting,
Acrylic
on Canvas
- Dimensions Height 60in, Width 48in
- Framing This artwork is not framed
- Categories Paintings under $5,000 Abstract
Les agitations gestuelles neutres, le noir et blanc, appliqués sur la surface de la toile, sont en harmonie directe avec les reflets qui l'entourent. Ces réflexions sont absorbées par une bande de miroir réfléchissant, vertical collé à la surface de la toile, derrière les gestes noirs, colorant ainsi de manière subtile et dynamique la surface de ce visuel. La peinture peut rester neutre, en noir et blanc ou peut être colorée de manière dynamique, en fonction de l'environnement où elle est montée. La dynamique visuelle neutre précédemment appliquée et les réflexes capturés par la bande miroir sont perturbés par un obstacle, un point fluo vert-jaune, destiné à servir comme
centre d’intérêt. Cet obstacle est subtil ou forcé, dépend de l'état de celui qui regarde cette œuvre d'art.
Cela crée une expression spatiale picturale qui conduit à une vibration émotionnelle intérieure.
Toutes ces méthodes des techniques et de pensée, ont déclenché cette idée qu'est-ce qui a accompli cette œuvre,
SPÉCULATION.
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After an advanced study and a closer research into the visual definition of this metaphysical thought about SPECULATION, I find that abstract and purely theoretical thinking is channelled in several directions and finds its roots only in practice and experience. Any speculation that is not life-related is nonexistent. If we move away from philosophical speculative thinking, based on speculation, I found this can be applied in visual art. This means the colour applied to painting directly on a surface would be necessary, but not mandatory. Additional colour is obtained through the absorption reflection from the outside without being applied, using different materials and techniques. So painting gets new dynamic colours, the surplus of the colours applied objectively, real, previously on the desired surface.
The neutral white and black gestures that are applied to the surface of the canvas, are in direct harmony with the surrounding reflections. These reflections are absorbed by a vertical reflex mirror strip, glued to the surface of the canvas behind the black gestures, thus subtly and dynamically colouring the surface of this visual. The paint can remain neutral, black and white, or can be dynamically coloured, depending on the environment where it is mounted. The neutral visual dynamics previously applied, and the reflexes captured by the mirror strip are disturbed by an obstacle, a green-yellow fluorescent point, which is intended as a centre of interest. This obstacle is subtle or forced, depends on the state of the viewer.
So this creates pictorial spatial expression, which leads to an inner emotional vibration.
All these methods of technique and thought have triggered this idea which gave rise to works,
SPECULATION.
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Dimi,
Je suis peintre expressionniste abstrait. J'aime l'art d'avant-garde et tout ce qui vient avec. J'apprécie les gens que j'ai rencontré dans des différents lieux où j'habitais avant, aussi ou je vis présentement. Tout ce qui est spontané et surprenant m'inspire beaucoup et je peux les transposer dans mon art. Je suis ouvert à la réalité de la vie quotidienne, à la beauté permanente ou éphémère avec ces moments uniques, où je donne le meilleur de moi-même pour exprimer l'état actuel ou transitoire.
Pourquoi abstrait ?
Parce que c'est le moyen le plus proche pour moi de m'exprimer sur tout ce qui est visible ou invisible. Je peux transformer en visuel, une situation psychologique, des états physiques ou des situations d'anxiété, de peur, des conflits, de la culpabilité, de douleur, d'amour, de calme, de bonheur, de paix.
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Dimi,
I am an abstract expressionist painter. I love avant-garde art and all that comes with it. I appreciate the people I have met in different places where I used to live before, also where I live now. Everything that is spontaneous and surprising inspires me a lot and I can transpose them into my art. I am open to the reality of everyday life, to permanent or ephemeral beauty with these unique moments, where I give the best of myself to express the current or transitory state.
Why abstract?
Because it is the closest way for me to express myself on everything that is visible or invisible. I can transform into visual, a psychological situation, physical states or situations of anxiety, fear, conflict, guilt, pain, love, calm, happiness, peace.
- Nationality: CANADA
- Date of birth : 1967
- Artistic domains:
- Groups: Contemporary Canadian Artists