Set fire to the river (2020) Photography by Darelen

Photography, 35.4x23.6 in
$364.87
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This artwork appears in 3 collections
Oeuvre de la série "Natural Beauties" de l'artiste-photographe Darelen. Avec la série "Natural Beauties", Darelen recherche l’inatteignable perfection dans la simplicité. Dans une nature colorée, graphique, surprenante, il met en lumière des lignes semblables à des veines qui alimentent l'histoire de[...]
Oeuvre de la série "Natural Beauties" de l'artiste-photographe Darelen.

Avec la série "Natural Beauties", Darelen recherche l’inatteignable perfection dans la simplicité.
Dans une nature colorée, graphique, surprenante, il met en lumière des lignes semblables à des veines qui alimentent l'histoire de notre planète.

Des formes magnifiquement dessinées par notre monde sauvage, qui passent inaperçues aux yeux de la plupart des personnes, mais que le photographe, dans sa bulle créatrice de l'instant, attrape et fixe en une composition qui lui est momentanément intimiste.

Ces veines sont aussi celles de notre vie.

La nature est un modèle pour l'Homme.
Peu importe qui nous sommes.

Related themes

Abstract LandscapePaysage AbstraitRiverFireNature

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Darelen is a self-taught artist photographer from the north of France born in 1983. He began photography at the age of 9 with his first compact film camera. His style differs from other naturalist[...]

Darelen is a self-taught artist photographer from the north of France born in 1983. He began photography at the age of 9 with his first compact film camera. His style differs from other naturalist photographers in that he uses very long focal length lenses to photograph small close subjects (plants, vegetation, wetlands, etc.), whereas this type of equipment is generally used for very distant.

This technique makes it possible to crush perspectives, to focus on details, but also to better separate the different planes of the image. He also likes to play with the aperture of the camera to create blurs that accentuate the feeling of depth, and sometimes, bring an impression of movement.

Then, for certain photographs, he multiplies them in a single work, without manipulation aimed at distorting them, creating a sort of polyptych but on a single physical support.

Self-taught, what matters to him is creation, without perfectly established rules, moreover, he sets no limits to creation. He works on improvisation, since his subjects are anyway unpredictable. They play with the light, the humidity, the seasons, the beings with whom they live. In each shot, he studies colors, textures, natural light, the composition of the image, the rhythm of the living being he photographs...

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