Red star in New York City (2015) Painting by Federico Cortese

Oil on Canvas, 27.6x35.4 in
$2,348.26
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An original piece from the series “Red Star”, oil on canvas, 90 x 70 cm. Franz Kafka never moved from his Prague. For the setting of his novel "Amerika", he probably used the notions that he took from the newspapers and from his literary knowledge. Then he filled the gaps left by that information with his imagination, inventing[...]
An original piece from the series “Red Star”, oil on canvas, 90 x 70 cm.

Franz Kafka never moved from his Prague. For the setting of his novel "Amerika", he probably used the notions that he took from the newspapers and from his literary knowledge. Then he filled the gaps left by that information with his imagination, inventing a really comprehensive and credible setting. Today he wouldn’t have this problem, because the network provides us with detailed and substantial information on anything. Universal knowledge is available to all. And everyone, sooner or later run into the same two problems: this information is too much, we do not need it! (till the point that often we remain submerged and we do not know anymore what we were looking for). And then, how do we verify its authenticity? The virtual reproduction of the real world offered by the internet is so plausible, to make this verification hard. And often that virtual world is more attractive than the reality, to the point that this verification is not so important. Is this news true? Is this picture real? Or is it a montage? No matter, as long as it catches our attention. And this red star? Wasn’t it on the domes of the Kremlin? What is it doing on a skyscraper in New York? No matter, it's good enough ...

Related themes

CityUrbanNew YorkStarBuildings

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Federico Cortese is a contemporary Italian painter. His artistic passion is deeply rooted in these preferred mediums, showcasing his talent for oil paint on both paper and canvas,[...]

Federico Cortese is a contemporary Italian painter. His artistic passion is deeply rooted in these preferred mediums, showcasing his talent for oil paint on both paper and canvas, as well as his expertise in graphite drawing. Cortese's creative process is characterized by the gradual accumulation of successive layers, each layer adding a new dimension while simultaneously concealing elements of the underlying surface. Within his artistic exploration, he has consistently gravitated towards the realm of order and classification, drawn, perhaps, from an inherent sense of insecurity. For him, the act of imposing structure on chaos offers a sense of solace.

His artistic journey can be likened to a game of discovery, where the initial step involves identifying a subject ripe for variation. The essence of this game lies in uncovering the rules that govern potential transformations - an endeavor akin to deciphering a new language, complete with its unique syntax, grammar, and exceptions.

In line with these principles, the subjects of Cortese's artistic research span a wide spectrum, encompassing diverse themes such as butterfly collections, herbaria, ancient bestiaries, anatomy manuals, maps, human faces, hands, pornography, and flags. Each subject represents a distinct language, complete with its own vocabulary. Cortese's creative pursuit centers on isolating and reinventing these linguistic elements, with the aim of generating fresh and innovative meanings within the realm of art.

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