La cité flottante (2018) Drawing by Almakan

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  • Original Artwork Drawing, Ink / Watercolor / Graphite on Paper
  • Dimensions Height 11.8in, Width 19.7in
  • Categories Expressionism Animal
La cité flottante --- Curiosité dystopique n°19 Paris flotte-t-il ? Après avoir concentré plus de 80% de la population mondiale, les mégapoles, surpeuplées et asphyxiantes, meurent peu à peu malgré tous leurs efforts pour attirer les habitants. Aux abords des villes, les banlieues subissent la montée des sauvages urbains.
La cité flottante
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Curiosité dystopique n°19
Paris flotte-t-il ?
Après avoir concentré plus de 80% de la population mondiale, les mégapoles, surpeuplées et asphyxiantes, meurent peu à peu malgré tous leurs efforts pour attirer les habitants.
Aux abords des villes, les banlieues subissent la montée des sauvages urbains.
Les villes littorales sont englouties une à une, du fait de l’érosion et de la montée des eaux, quant elles ne croulent pas, elles aussi, sous la pression démographique.
L’écologie urbaine est alors repensée en profondeur, au plus près du vivant.
C’est ainsi que naissent les premières villes artificielles marines et les cathédrales écologiques où l’art des jardins prend un nouvel essor. Autour de ces villes flottantes, l’agriculture et les transports connaissent aussi un nouveau souffle, réinventant tous les systèmes de réseaux entre les humains. Les cités sont désormais considérées comme des êtres vivants.
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Graphite, encre de Chine, aquarelle sur papier d'art en fibres de bambou 265 g/m2
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© Texte Almakan - Tous droits réservés

Related themes

Cité FlottanteVille FlottanteParisTour EiffelBaleine

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Born and living in the South of France, by the Mediterranean Sea, a promising artist in the performing arts since the age of 10, Almakan first embraced the more practical path of international business management,[...]

Born and living in the South of France, by the Mediterranean Sea, a promising artist in the performing arts since the age of 10, Almakan first embraced the more practical path of international business management, the artistic career being considered a destination to nowhere.

An engineer with a degree in geopolitics and strategic foresight, she ran businesses for 20 years, mainly in the fields of new technologies and communication, before deciding to devote herself exclusively to Art and try her luck as a full-time artist in 2016.

"Extracting Beauty from chaos and creating the future" is the whole soul of Almakan's work. Her world is blue and black, tinged with sunlight, just like her native land.

Her relationship with the future conditions her technique, she paints on canvases voluntarily uneven, sculpted with plaster or worked like a wrinkled skin in the image of our planet Earth, this blue stone... and like our existences, rarely smooth.

Obsessed with possible futures and the winding paths that shape humanity much more than the highways, she never stops exploring them by all the means given to her, combining paintings and curiosity drawings. 

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