champ de marguerites (2017) Painting by Claire Morand

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Champ de marguerites réalisé à l'acrylique Dans la série Champs de fleurs, consacrer une grande toile aux marguerites était une nécessité pour honorer cette merveilleuse fleur, à la fois simple et sophistiquée, chargée de symboles. Il ne reste plus qu à les effeuiller.... Chaque fleur est travaillée dans le détail, jusqu'à[...]
Champ de marguerites réalisé à l'acrylique
Dans la série Champs de fleurs, consacrer une grande toile aux marguerites était une nécessité pour honorer cette merveilleuse fleur, à la fois simple et sophistiquée, chargée de symboles.
Il ne reste plus qu à les effeuiller....
Chaque fleur est travaillée dans le détail, jusqu'à l'horizon qui les condamne à devenir des points. Aplats et pointillisme se disputent l'space pour rendre compte de la profondeur. Entre réalisme et naïf, ce tableau est un hymne à l'amour et au printemps.

Related themes

TableauFleursMargueritesChampPrintemps

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Self-taught, I immerse my imagination, my knives and brushes in the light and colors of my beautiful Mediterranean region, then on all the supports I find: canvases, cardboard, walls, and...mailboxes! I[...]

Self-taught, I immerse my imagination, my knives and brushes in the light and colors of my beautiful Mediterranean region, then on all the supports I find: canvases, cardboard, walls, and...mailboxes!

I mainly use acrylic for the spontaneity and lack of meticulousness it allows. And yet my inclination towards impulsive gestures, to “batchwork” as we say back home, is matched only by the meticulousness and even the obsessiveness of the details that I can inject into a painting. Thus, flat areas and pointillism sometimes embrace each other on the same canvas, or challenge each other from one painting to another.

The key words that animate my art: light, living colors, movement, and the search for new sensations.

It is not one, but two brushstrokes that define my work. Two identities, two artists: Claire V, the naive painter of mailboxes, endless fields of flowers and spring that sings. Then Claire Morand, a little more mature, who entrusts her creative instinct to the call of movement in a more modern art, expressed in the jump of skiers, in crazy races of sailboats in the wind.

There is no question of erasing one for the benefit of the other. The child and the adult coexist and collaborate in my inspiration as in life.

Solo and collective exhibitions in the PACA region and in Monaco.

See more from Claire Morand

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Acrylic on Canvas | 11.8x11.8 in
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Acrylic on Canvas | 15.8x15.8 in
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Acrylic on Canvas | 31.5x31.5 in
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Acrylic on Canvas | 15.8x15.8 in
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