Bacchanales 2019 (2019) Sculpture by Jean Claude Causse

Sculpture - Metals, 25.6x22.1 in
$4,163.3
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Sold by Jean Claude Causse

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Sculpture, Metals on Metal
  • Dimensions Height 25.6in, Width 22.1in / 11.50 kg
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $5,000 Figurative
sculpture acier peint représentant les plaisirs épicuriens qu'il faut gouter pour une vie équilibrée. User, abuser de la chère, de la chair, du plaisir de l'instant. Une vie sans plaisr est une vie d'ombres et d'obscurité.User, abuser de la chère, de la chair, du plaisir de l’instant. Débattre jusqu’au bout de la nuit, en[...]
sculpture acier peint représentant les plaisirs épicuriens qu'il faut gouter pour une vie équilibrée. User, abuser de la chère, de la chair, du plaisir de l'instant. Une vie sans plaisr est une vie d'ombres et d'obscurité.User, abuser de la chère, de la chair, du plaisir de l’instant.
Débattre jusqu’au bout de la nuit, en usant d’arguments qui s’épuisent au rythme de la consommation de produits forts, jusqu’à ce que tout s’arrête lorsque les carafes laissent apparaître leur cul ridicule, grotesque de flacons inutiles.

Ah le plaisir, glissade ininterrompue vers le bonheur !

Related themes

Fête Des Vendanges Célébrée Par : BacchusBacchanaleSatyreArtworkModernart

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Arrived on earth inadvertently, he quickly realized that life was a mirror without a tint. The most complicated thing was to choose which side of it he would place himself. He chose to observe what was happening[...]

Arrived on earth inadvertently, he quickly realized that life was a mirror without a tint. The most complicated thing was to choose which side of it he would place himself. He chose to observe what was happening in front of the mirror, instead of looking inside.

The creations of Jean-Claude Causse are nowhere and everywhere; they are as well of yesterday as of tomorrow. It does not matter to him the chapels and other modes. What makes it progress is sculpture and painting; give meaning to shapes and a soul to the material. In some works the combination of the two techniques gives a great contemporaneity despite primitive references.
For others it is a way of expressing disagreement with the myths and other beliefs that govern life today, regurgitation, nonvalues and other chimeras that the present guardians of the temple propose to us!
His pleasure is the same whatever the material he works: earth, resin, wood, stone, metal, because each requires the implementation of a different technique, and this diversity increases the pleasure.
Training at the Beaux Arts in Bordeaux as a free auditor sculpture section during Mr Hugues Morin in the 70s. He learns the earth and the stone.
His work leads us to see only the essential, whatever the theme.

If a stylistic label was essential, then we would call it his "FIGRAIN" style. (Figurative-contemporary)

Among his admirers are Académicien Jean Dormesson who owns the sculpture "See how we dance" inspired by the novel of the same title

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