Ultima Thulé / Cité de Carcassonne Digital Arts by Bruno Béghin

Digital Arts, 23.6x23.6 in
$443.71
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This artwork appears in 10 collections
Pris dans la spirale cosmique, le vaisseau au large ventre porte son château-vigie trop chargé de mémoire. Il cingle vers les confins de l’être, aspiré par l’onde ou la matière noire, porté par le Styx, à la recherche d’Ultima Thulé. Le voyage bouleverse l’origine et la fin, la crainte et le désir. Le temps se retourne. Sur le pont, est-ce le chant[...]
Pris dans la spirale cosmique, le vaisseau au large ventre porte son château-vigie trop chargé de mémoire. Il cingle vers les confins de l’être, aspiré par l’onde ou la matière noire, porté par le Styx, à la recherche d’Ultima Thulé. Le voyage bouleverse l’origine et la fin, la crainte et le désir. Le temps se retourne. Sur le pont, est-ce le chant d’Ulysse qui ensorcelle les sirènes captivées dans ses filets et que, de la coque, s’échappe la fontaine d’Arcadie ? Amas d’étoiles ou de plancton, les herses et les chaluts dévastateurs réveillent nos turbulences et nos songes d’une vie primordiale, foisonnante et insoupçonnée tandis que astéroïdes originels et lambeaux de mécaniques se percutent à l’infini.

Ultima Thule
Caught in a cosmic spiral, the wide-keeled vessel transports its crow’s nest castle, over-burdened by memory. It navigates towards the borders of being, sucked down by the wave or the black matter, borne by the Styx, seeking Ultima Thule. The voyage sets whirling the beginning and the end, fear and desire. Time turns backwards. On the bridge, is that the song of Ulysses bewitching the mermaids caught in his nets? From the hull, is that the Arcadian fountain flowing? Clusters of stars or of plankton, riblines and destructive trawl nets stir our unrest and our dreams of a primordial life, diverse and unimagined, while original asteroids and mechanical fragments endlessly collide.

Ultima Thulé
Atrapado en la espiral cósmica, la nave con barriga larga lleva su castillo-vigía demasiado cargado de memoria.
Azota hacia los confines del ser, aspirado por la onda o la materia negra, llevado por el Styx, en busca de Ultima Thulé.
El viaje trastorna el origen y el fin, el miedo y el deseo. El tiempo se voltea.
En el puente, ¿es el canto de Ulises el que hechiza a las sirenas cautivas en sus redes y que, del casco, se escapa la fuente de Arcadia?
Cúmulo de estrellas o de plancton, las gradas y las redes de arrastre devastadoras despiertan nuestras turbulencias y nuestros deseos de una vida fundamental, abundante e insospechada, mientras los asteroides originarios y los trozitos de mecánica chocan perpetualmente.

Béatrix Mirallès

Related themes

Cité De CarcassonneSpatialGrands FondsVoyagePlanéte

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Bruno Béghin is a French designer born in 1958. Creator of a prestigious communication studio and author of advertising campaigns for famous brands, he has never left his beautiful hometown: Carcassonne.  In[...]

Bruno Béghin is a French designer born in 1958. Creator of a prestigious communication studio and author of advertising campaigns for famous brands, he has never left his beautiful hometown: Carcassonne. 

In addition to his professional activity, Bruno Béghin has two passions: photomontage and the enhancement of Carcassonne. He invites us on a dreamlike journey through this city, transforming the streets into unexpected poetic paintings. Mythological or current, historical, ecological themes are staged, arousing surrealist and visionary aesthetic emotions: Jérôme Bosch, Joachim Patinier, Gustave Moreau, Jean-Marie Poumeyrol, Roland Cat, Claude Verlinde or the romantic Caspar David Friedrich are evoked in the disorder... 

Then, the City becomes in turn apocalyptic, transient or burned fortress, port citadel, sunken castle, megalopolis or open-air mine, nuclear base, tagged walls or Greek temple, Noah's ark or Garden of Delights...

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