Added Sep 12, 2019 | Comments

Mr Strange (Jean-marie Gitard)

Mr. Strange, the aptly named

In the world of Mr. Strange, the coelacanth becomes Sheila Kant, ... and animals of all kinds ask metaphysical questions: the cat above the clouds, the monkey that remains at the end of a show, etc...

The unusual is obvious, and it is unclear what guided the artist: the desire to make clash of visuals or the undisguised pleasure of illustrating a word game, an expression, to show that the absurd nests everywhere, in the lived, the words or the images.

"I like to try to show that the world is not what we think it is, to decipher the artificial and puppetesque effervescence to expose human society, this puppet show where everyone plays their part by avoiding (but that's unconscious) to live his true life! I am attracted by the unusual, the bizarre and the nonsense. But pure provocation does not appeal to me".

Logically, the artist goes to the end and also sows trouble on the technique used: photo? painting? digital editing? All three at once! The artist imagines the scene from photos found on Google images, makes a digital montage to obtain a photo. "My challenge is mixing these images that have no connection between them. And who finally, once associated, create a new reality and open new doors ".

Behind the pseudonym of Mr Strange, a 50-year-old from Montpellier: "Art has always accompanied me, even though I have chosen my gift for sport very early on. I was a good tennis player in my youth and this activity became my job. I am a tennis teacher in the Hérault. But in high school, I had a course oriented towards the history of art and drawing.

I started very early to draw. Between 8 and 12 years, poetry .... Comics between 10 and 16 years old. Between 17 and 30 years old, I started painting with oil and modeling (Di Rosa and Combas style). Then I went through a long time without creation. About ten years ago, the creative volcano woke up. I started what I called "spicture", a mix of painting and sculpture. Relief paint using clay and acrylic.

Mr. Strange's work has found an unexpected extension. "I met a few years ago on the Internet from a Chinese, Qihai Chen. He had cracked on my photographic work and had proposed to reproduce one, L'Homme Penché, which knows a certain success on ARTMAJEUR. Since then, it has become my partner, taking up the challenge of transforming digital work into oil painting on canvas ". Text: A.D

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Added Sep 12, 2019 | Comments (1)

The war isn't over

The bodies are beautiful, and they are naked. But facing the light, facing the autumnal nature, facing the monuments that emerge, these bodies laid bare are only a vain counterpoint to the fighting that may have taken place in these places. The bodies are only there to emphasize the gap between beauty and what is hidden. The human nature is perhaps beautiful, it is above all a great fragility.

While we are just leaving commemorations of the Great War, this is an inconvenient work, which shows that the day after the conflict or a hundred years later, the war will always be pregnant ... If we must not forget it is also because it gives an incomparable strength of life, and the artist Julien Sunyé is undoubtedly one of the best placed to say it.

"Every year we celebrate peace, but we are still at war." Through 24 European destinations (in Spain, France, Germany, Italy, the Netherlands, Belgium), the photographer Julien Sunyé evokes the

traumas of the conflicts that are crossed, those that are ignored or those that are ignored by denial. Black Holes, the artist in conflict violence, who are opposed or opposed today, in the world: "The emotions that cross us origins in childhood. It takes time, attention and real work on oneself to understand and analyze. But modern life leaves little room for this inner quest. Finally, show your pains, learn to overcome, to make peace with what it is to live and to create a harmonious future for oneself and others ".

A series that evokes universal historical themes, but which can obviously refer to many more personal elements. And Julien Sunyé knows something, he who worked in finance before diving in 2013 in a severe depression whose causes escape him. It prevents him from working, from being able to express his emotions and thus from continuing to live. Seeking to cope, Julien Sunyé is interested in different forms of trauma. He learns that childhood trauma is deeply embedded in the subconscious and can define the present. The person then becomes a prisoner of his past.

During the summer of 2016, the photographer decided to go to the battlefields of Verdun. He is struck by the idea that the past can lock up an individual but also an entire people. Soothed by the photographic work that led his way to several countries in Europe on "sensitive or historical" sites, Julien Sunyé feels that he is in the right place to lead his reflection.

Each new photographic session helps him overcome his depression a little more until he finally manages to recover in September 2018.

Born in Amsterdam in 1982, Julien Sunyé begins street photography in Paris. This Franco-Dutchman (French by his father and Dutch by his mother) found his inspirations as much in the work of Henri Cartier Bresson as in the Dutch painters of the 16th and 17th centuries. At the same time the humanism of the French photographer, and the intimacy of the Dutch painters. Text: A.D



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