Digital Arts titled "For the love of god" by Béatrice Darmagnac, Original Artwork, Other

For the love of god Digital Arts by Béatrice Darmagnac

Original

Not For Sale

Certificate of Authenticity included

Original Artwork Digital Arts, Other

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Dimensions are available on request
Categories Digital Arts under $500

Image projective, 70 x 50, impression aluminium. About this artwork: Classification, Techniques & Styles Other Other[...]

Béatrice Darmagnac

France

INTENTIONS
In the beginning, there is this questioning of reality, my sensitive and intuitive relationship to it.
As a sculptor, I question space, volumes, materials, the temporality of their experimentation. And this, at different levels of acceptance of these notions: the physical, the artificial and the imaginal.
The anchor of my research is the observation of plasticity in the natural environment: erosion, morphogenetic system, particularly the effects of flows. And everything that is put in place to retain, prevent, maintain, disseminate.
I have a principle of acceptance: "everything is matter".
In my protocols, I poetize the dialectic between naturalness and artifice, taking into account the unstable and the impermanent.

I affirm here my filiation, and my separation from my references: Conceptual Art, Minimal, Land Art and Arte Povera, Spacialism, New Realism. But I don't forget that I come from the Law Brow and its music and its aesthetic of deconstruction. That I frequented squats and hang out at night.

In each of my sculptures, I solicit this chimera of remembered-present-projection.

Beatrice Darmagnac