Jane (2019) Collages by Bernard Des Roseaux

Collages on Canvas, 31.5x31.5 in
$1,612.31
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 9 collections
Collage de journaux des années 1930 sur toile, travail du portrait de femme visage presque de face, regard aiguisé et scrutateur, parfaitement de face. Cette peinture est réalisée avec des encres de couleur, encre de Chine, acrylique blanche, pastel sec, à la plume et au pinceau, dans les tonalités brun rouge, jaunes et brou de noix. Un jeu de transparences[...]
Collage de journaux des années 1930 sur toile, travail du portrait de femme visage presque de face, regard aiguisé et scrutateur, parfaitement de face. Cette peinture est réalisée avec des encres de couleur, encre de Chine, acrylique blanche, pastel sec, à la plume et au pinceau, dans les tonalités brun rouge, jaunes et brou de noix. Un jeu de transparences proche de l'aquarelle permet de voir au travers de la couleur les textes de journal. Ambiance douce et surannée.

Related themes

Techniques MixtesPastel SecEncre À DessinerEncre De ChineAcrylique

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He attended the Académie Henri Goetz in Paris in the 1970s, then the Beaux-Arts de Saint Brieuc. He works in a variety of techniques: drawing, dry pastels, oil, acrylic, watercolour, inks, collage...,[...]

He attended the Académie Henri Goetz in Paris in the 1970s, then the Beaux-Arts de Saint Brieuc.

He works in a variety of techniques: drawing, dry pastels, oil, acrylic, watercolour, inks, collage..., and sometimes associates them with each other (mixed techniques).

He painted many figurative themes, sometimes close to hyper realism (in particular portraits and scenes of life in dry pastel) . He is now evolving towards a much freer painting, with very eclectic themes, sometimes reaching the limits of the abstract.

Indeed, the subjects ultimately have little importance, even if he favors in particular the portraits, life scenes, increasingly imaginary landscapes.

He often works in series, with a given medium. This allows him to give free rein to his intuition more easily, because it prevents him from working too long each time on the same painting, and bouncing from one to the other.

He tends more and more to let the painting build itself, letting the composition establish itself as the work continues.

Registered at the Maison des Artistes in Paris (D155301), he presented about fifty personal or collective exhibitions in France.

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