madame autruche (2020) Sculpture by Barbotine Ciselet

Sculpture - Ceramics, 16.5x11.8 in
$1,930.31
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Sold by Barbotine Ciselet

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 5 collections
madame ostrich: The ostrich is an atypical animal: a long neck, long legs and round eyes at the ends of the head. In fact, I choose animals that have a strong physical characteristic. It's more fun ! The first standing version was not expressive enough, too frozen. So I started all over again and decided that she would wait for a train. I sat[...]
madame ostrich: The ostrich is an atypical animal: a long neck, long legs and round eyes at the ends of the head. In fact, I choose animals that have a strong physical characteristic. It's more fun ! The first standing version was not expressive enough, too frozen. So I started all over again and decided that she would wait for a train. I sat it on a big old suitcase, the cardboard ones with corners reinforced by metal angles. This old-fashioned suitcase therefore naturally inspired me with a "grandma" ostrich with a bag on her knees. She wears a ring and a coat with a fur collar on her finger. And as I imagined that she was returning from a long stay, I added a suitcase this time much more modern. It is in black earth, low temperature cooking with patina

Related themes

MarronSculptureTerre-CuiteAutrucheValise

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Figurative marron sculpture terre-cuite autruche valise humour argile céramique baroque mi-homme mi-animal
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Barbotine Ciselet Portrait
Barbotine Ciselet
France
Barbotine Ciselet fabrique son monde autour de personnages inspirés de rencontres, d'observations de la vie ordinaire ou, encore, de souvenirs de lectures enfantines. Ses mains esquissent, tâtonnent, s'aventurent,[...]

Barbotine Ciselet fabrique son monde autour de personnages inspirés de rencontres, d'observations de la vie ordinaire ou, encore, de souvenirs de lectures enfantines. Ses mains esquissent, tâtonnent, s'aventurent, façonnent ... C'est  l'expression des visages et l'attitude des corps qui la passionnent et qui rendent  ses personnages si touchants et attachants.

En 2000, cette toulousaine découvre le travail de la terre cuite dans un atelier associatif et peaufine son style discrètement pendant des années. Son matériau coup de cœur ? La terre chamottée noire, brute, telle quelle, ou la blanche qu'elle engobe et patine.

Ce qu'elle espère aujourd'hui en portant ses créations au grand jour ? Créer une émotion...

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