Jeudi (2020) Collages by Baptiste Vanweydeveldt

Not For Sale

Sold by Baptiste Vanweydeveldt

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Plexiglass
This artwork appears in 2 collections
  • Original Artwork (One Of A Kind) Collages, Collages / Engraving on Paper
  • Dimensions 15.8x11.8 in
    Dimensions of the work alone, without framing: Height 12.6in, Width 9.5in
  • Framing This artwork is framed (Floating Frame + Under Acrylic Glass)
  • Categories Collages under $500 Symbolism Nature
Sur la base, d'une gravure, des ajouts ornementaux poursuivent les lignes et la composition de cet ensemble. Dans la série des "Herbier WinterSérie2020", c'est des objets délicats collectés et patiemment agencés, on pourrai reconnaitre la silhouette d'une installation nomme "ce qui est derrière la lumière",[...]
Sur la base, d'une gravure, des ajouts ornementaux poursuivent les lignes et la composition de cet ensemble.
Dans la série des "Herbier WinterSérie2020", c'est des objets délicats collectés et patiemment agencés, on pourrai reconnaitre la silhouette d'une installation nomme "ce qui est derrière la lumière", un choix de bouts de papiers au motif fleuris, de timbre, de petits composants, objets hétérogènes, qui donnent à ce collage, les allures d'un cabinet de curiosités.
Parmis les sept collages de la série , où chacun est attribué à un jour de la semaine, celui-ci concerne le jeudi...

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BaptistevwartBaptiste VanweydeveldtCollageTimbreFleurs Séchées

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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