supination (2016) Drawing by Baptiste Vanweydeveldt

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Sold by Baptiste Vanweydeveldt

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sur une feuille A4, un passage en photocopie des célèbres mains jointes de Durer, rehaussée au stylo à bille et au crayon , même procédé pour un e aquarelle d'aile du même auteur comme un palimpseste, une erreur de bouton pourtant l'association semble évidente ! Enfin une troisième strate avec un croquis de charpente aux couleurs[...]
sur une feuille A4, un passage en photocopie des célèbres mains jointes de Durer, rehaussée au stylo à bille et au crayon , même procédé pour un e aquarelle d'aile du même auteur comme un palimpseste, une erreur de bouton pourtant l'association semble évidente !
Enfin une troisième strate avec un croquis de charpente aux couleurs bigarrées... De la couleurs des ailes , je passe à la couleur du toit et du toit au deux mains jointes et ainsi soit-il...

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Baptistevwart

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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