Khand (2011) Collages by Baptiste Vanweydeveldt

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Sold by Baptiste Vanweydeveldt

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This artwork appears in 4 collections
Ce petit cadre (24x18cm) est une composition d'éléments hétérogènes, ajustés avec parcimonie, pourtant les couleurs sont franches et poppy ce qui charge la lecture d'une certaine facilité. Issu d'une série de collage qui tient sont inspiration première d'une volonté d'utiliser des matériaux pour leur propre qualité plastique(forme,[...]
Ce petit cadre (24x18cm) est une composition d'éléments hétérogènes, ajustés avec parcimonie, pourtant les couleurs sont franches et poppy ce qui charge la lecture d'une certaine facilité.
Issu d'une série de collage qui tient sont inspiration première d'une volonté d'utiliser des matériaux pour leur propre qualité plastique(forme, couleur, matière).
Cette série d' "abécédaire encadré scellé" renferme des trouvaille et des trésor du moindre geste.
Celui-ci se rapporte à la main, évidement très abstraite , on ne l’aperçois même pas pourtant la feutrine jaune à poil long invite au toucher.
en dessous quelques croquis inspirés par les sculpture de Tony Gragg, célèbre sculpteur britannique, ressemble à des fleur ou des barbes à papa, un sachet plastique blanc avec des motif de fleurs bleues renvoie sur la partie haute à une fine pellicule de papier doré, entre les deux , hormis les éléments précités , une giclée de bordeaux accompagne des logotype d'un certificat de construction Ikea... scotch, brûlure, traces finalise les rapport en unités discrètes...

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BaptistevwartBaptiste VanweydeveldtAbécédaire Encadré ScelleCollageFrench Artist

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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