vertèbre 5 (2018) Sculpture by Baptiste Vanweydeveldt

Not For Sale

Sold by Baptiste Vanweydeveldt

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
  • Original Artwork (One Of A Kind) Sculpture, Ceramics
  • Dimensions Height 6.7in, Width 7.1in
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $500 Outsider Art
Céramique de terre blanche et passage d'émaux d'oxyde de cuivre, de chlore pour le vert, de colbalte (acheté en boutique, et de noir mat (mais j'ai perdu la recette ! je n'arrive pas à retrouver le bon mélange d'oxyde) . C'est une céramique dont la forme évoque à la fois une véhicule(bateau, avion, train...),[...]
Céramique de terre blanche et passage d'émaux d'oxyde de cuivre, de chlore pour le vert, de colbalte (acheté en boutique, et de noir mat (mais j'ai perdu la recette ! je n'arrive pas à retrouver le bon mélange d'oxyde) .

C'est une céramique dont la forme évoque à la fois une véhicule(bateau, avion, train...), un jouet des années50, et même une vertèbre! Tout en gardant sa fonction de pot...
Elle fait partie d'une série de 10 sculpture différentes mais semblable par la forme et les couleurs.

17x18x20cm environ...

Related themes

BaptistevwartBaptiste VanweydeveldtCeramiquePot De FleurArtiste Caen Normandie

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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