BlockBook#le miracle est pour demain (2019) Sculpture by Baptiste Vanweydeveldt

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Sold by Baptiste Vanweydeveldt

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Sold by Baptiste Vanweydeveldt

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 10 collections
  • Original Artwork (One Of A Kind) Sculpture, Paper on Paper
  • Dimensions Height 8.3in, Width 6.3in
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $1,000 Outsider Art
Nouveau BlockBook cristallisé de cette année 2019 après un bain de 7 mois, lent processus qui dévore un livre de poche plein d'espérance... Les BlockBook est une série d'expérimentation que mène Baptiste Vanweydeveldt sur de simples livres de poches... Ici un roman de gare, sentimental à souhait "le miracle est pour demain",[...]
Nouveau BlockBook cristallisé de cette année 2019 après un bain de 7 mois, lent processus qui dévore un livre de poche plein d'espérance...

Les BlockBook est une série d'expérimentation que mène Baptiste Vanweydeveldt sur de simples livres de poches... Ici un roman de gare, sentimental à souhait "le miracle est pour demain", titre du livre, disparaît sous une couche de sels passant du blanc au bleu tendre, éteignant le rouge des tranches de pages et dissipant la figure de l'infirmière.

C'est aussi une affirmation que l'on osé à peine espérer, sur la fragilité de la vie et de l'amour.
Objet de curiosité, dans le m^me registre qu'une relique d'un baptêmes chimique, l'objet d'un art secondaire à l'heure de la mondialisation...

Vendue avec un présentoir de verre.

Related themes

Baptiste VanweydeveldtBlockbookLivre De PocheCristallisationObjet De Curiosité

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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