Erase-travaux sur papier-77x49.5-2017 (2017) Drawing by Baptiste Vanweydeveldt

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Sold by Baptiste Vanweydeveldt

Certificate of Authenticity included
This artwork appears in 3 collections
  • Original Artwork Drawing, Digital Photography / Graphite on Paper
  • Dimensions Height 30.3in, Width 19.5in
  • Categories Drawings under $1,000
Premier report d'image sur grand format. le sujet n'est pas multiple, il est concentré sur l'un des module de LeND, (une de mes installations qui évolue depuis 2010...) ,sous forme de collage et d'ajout graphique, de diagrammes au crayon, je parcours une réflexion sur la notion de "présence" , un topique de la maison...[...]
Premier report d'image sur grand format.
le sujet n'est pas multiple, il est concentré sur l'un des module de LeND, (une de mes installations qui évolue depuis 2010...) ,sous forme de collage et d'ajout graphique, de diagrammes au crayon, je parcours une réflexion sur la notion de "présence" , un topique de la maison...

Un polaroid et un papier noir abrasif accompagne l'oeuvre comme ajout.
C'est une pensée nébuleuse, certes mais c'est peut-être aussi pour cela que le dessin existe : faire figurer des éléments sur un m^me plan, sans la contrainte du verbal... D'autant plus que les modules de LeND évolues constamment par ajout et retrait d'élements, puis aussi conceptuellement...

Pour le "Dessin" à proprement parlé, la circulation et l'espace "blanc" est volontaire au territoire d'interprétation du regardeur...Comme une piste de respiration à la pensée...

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Baptiste VanweydeveldtBaptistevwartArt ContemporainDessin ContemporainReport D'images

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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