"E" abécédaire russe-2004 (2004) Drawing by Baptiste Vanweydeveldt

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 4 collections
"Ce feuillet a le trouble et nébuleux désir; il a des couleurs vibrantes mais une double lecture, c'est un dessin qui se "lit" et qui ne dit rien, il est à venir... La forme se présente à nous : orange et en grappe, soleil et vin, lumière et matin... Cette ligne est presque là : lisible à moitié , immobile et imparfaite(-manque),[...]
"Ce feuillet a le trouble et nébuleux désir; il a des couleurs vibrantes mais une double lecture, c'est un dessin qui se "lit" et qui ne dit rien, il est à venir...
La forme se présente à nous : orange et en grappe, soleil et vin, lumière et matin... Cette ligne est presque là : lisible à moitié , immobile et imparfaite(-manque), elle suppose tout d'un être imparfait, partis plus loin qu'il ne l'était...
Il(s) revienne(nt) à la pensée : iconique et secret.
L'^tre est multiple et jamais parfaitement axé, comme son capiôt l'indique grave, aiguë ou circonspect ; l'^tre a voyagé, subit l'expérience, il pourrait raconter.
Ce feuillet "est" "à voir", suit une logique : ap-prendre des lettres antérieures, pour com-prendre ce qui pourrai s'ajouter à la suite..."
Baptiste Vanweydeveldt.2019

Related themes

Baptiste VanweydeveldtBaptistevwartTravaux Sur PapiersArt ContemporainAbecedaire

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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