L'arcane(S) des fleurs-2018/19 (2018) Drawing by Baptiste Vanweydeveldt

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Sold by Baptiste Vanweydeveldt

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Other rigid panel
This artwork appears in 2 collections
Report d'images photographiques et rehauts de dessins au graphite et à l'aquarelle , ainsi qu'au stylo à bille. dessin encadré dans une caisse américaine en bois léger avec un anneau d'accroche. dim du dessin :38x33cm dim du cadre : 51x44cm Cette série s'applique a lier différentes strates[...]
Report d'images photographiques et rehauts de dessins au graphite et à l'aquarelle , ainsi qu'au stylo à bille.
dessin encadré dans une caisse américaine en bois léger avec un anneau d'accroche.

dim du dessin :38x33cm
dim du cadre : 51x44cm

Cette série s'applique a lier différentes strates d'images, de natures et de propos différents, dans une composition que je qualifierai de "musicale" laissant une grande part à l'épure et au retrait du geste pictural...

(pour en savoir un peu plus :
rendez-vous sur le blog du site cf Propos sur la série de travaux sur papier 2018 1/3 et 2/3)

Baptiste Vanweydeveldt, octobre 2018

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Baptiste VanweydeveldtBaptiste.vwTravaux Sur PapierDessin ContemporainFleurs

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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