EMPTY SPACES, THE BILLAR - TO HOPPER 13 (2017) Digital Arts by Vicent Creatik

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print on Metal
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Conceptual Art
The billiard halls in silence and empty with a dense atmosphere, different perspectives with the tables arranged and illuminated, or not, for the development of a game that in turn was recreated by the Chronic Team as a metaphor of the creative process, visualizing and designing the creative object, the precise game. I propose perspectives as a metaphor[...]
The billiard halls in silence and empty with a dense atmosphere, different perspectives with the tables arranged and illuminated, or not, for the development of a game that in turn was recreated by the Chronic Team as a metaphor of the creative process, visualizing and designing the creative object, the precise game. I propose perspectives as a metaphor for points of view and approaches to involve the observer in an interactive narrative, where the characters do not show up because they do not exist ...

Limited Edition 1/30

Works created from sketches and acrylic on wood and taken to digital treatment with Photoshop on PC. The support used for final printing is dibond matt aluminum 3mm.

Related themes

Dibujo DigitalPintura DigitalConceptualFigurativoImpresion Digital

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VICENT CREATIK ( Vicent Sanchis ). Born in Valencia in 1958. Draftsman, Painter, Illustrator, Digital Creative and Designer. Drawing or painting are no longer just traditional[...]

VICENT CREATIK ( Vicent Sanchis ). Born in Valencia in 1958.

Draftsman, Painter, Illustrator, Digital Creative and Designer.

Drawing or painting are no longer just traditional manual processes sheltered from canons, we are also technological and versatile, plastic creators can also be versatile and daring in techniques and styles, we reproduce and manipulate, draw, we paint, we type, we copy, we paste and we cut, we multi-copy, we print, we photo-montage, we act. We learn because we believe that creating is learning by searching for the new, and if not, we invent it. The important thing is to tell something to move people regardless of how to do it or what technique, category or trend they ascribe us to. Creating is just all that and it is at the same time more than what we are and believe and I leave everything else to the "ARTISTS", because Art is the quality that our creations will deserve from the judgment of those whom we move.< /p>

EXHIBITIONS:

Exhibitions in Private Galleries and Public Exhibition Rooms:
1991: Casa de la Vila. Manises (Valencia-Spain) Cultural Center. Mislata (Valencia-Spain)
1993: Sala la Marina. The Puig. (Valencia-Spain) Black Note Room. Valencia. (Spain)
1994: Casa Abadia Room. Castellon. (Spain) Classroom la Glorieta (Bancaja) Sagunt. (Valencia-Spain)
1995: Anagma Contemporary Art Gallery. Valencia. (Spain)
1996: Anagma Contemporary Art Gallery. Valencia. (Spain) Anagma Contemporary Art Gallery. Valencia. (Spain) Pictogram Gallery. Castellón (Spain)
1997: Anagma Contemporary Art Gallery. Valencia. (Spain)Studi Aperti. Venice (Italy) Spazio Otello. Venice-Mestre (Italy) Escada Quatro Gallery. Cascais (Portugal)
1,998: Sala Carlo Natale. Crispiano (Italy). José Catalunya Gallery. Santander (Spain) Im Gabla Gallery. Erlangen-Tennenlohe (Germany)
1999: Auditorium Hall of the University of Zaragoza. Zaragoza (Spain) Pictogram Gallery. Castellón (Spain) Alba Cabrera Gallery. Valencia (Spain) Black Note Room. Valencia. (Spain)
2002: Black Note Room. Valencia. (Spain) Alba Cabrera Gallery. Valencia (Spain)
2,006: La Oruga Azul Gallery. Valencia (Spain)



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