Une immense gourmandise à la vie, B ALEXIS est né en février 1952. Il vit, travaille et enseigne le dessin et la peinture dans son atelier de la Madrolle à Iteuil.
Des études, des métiers, des voyages - la poursuite parallèle et funambule de son œuvre picturale et littéraire dans la permanence d'une vie d'apprentissage.
Sa peinture et ses dessins se regardent longtemps...avec amplitude dans la poésie ininterrompue.
Sa littérature dans des bouteilles jetées à la mer...
Ses œuvres ont été primées dans de nombreux salons nationaux et internationaux, des d'expositions personnelles, l'invité d'un lieu ou d'une ville pour ce peintre atypique et de grand talent.
A huge appetite for life, B ALEXIS was born in February 1952. He lives in South Landes, in the village of Saint Geours de Maremne between the Adour River and the Atlantic Ocean.
Studies, crafts, travel - the parallel tracking and tightrope of his paintings and literary permanence of a lifetime of learning.
His painting looks long ... with amplitude in the unbroken poetry.
Its literature in bottles thrown into the sea ..
I live and work on the South Atlantic Coast.
My pictorial research is influenced by the elements, nature and being.
The invariability of light by a subtle contrast in the eye of the universe, pierces the darkness and the big question kept by man.
Events created by Nature provides answers to those who can read and understand the energies.
These forms in perpetual motion up this alchemy give renewed symbiosis, plan and invent to infinity.
The curves move in the constant revolution time.
"This is a morning at dawn, in the touch of raindrops and signs of animal life in the evenings the seasonal rhythm which mixes the colors, the magic of lights. Auroras according latitudes, the passage of man. "
The opacity of the vacuum break and shade indicates the shape.
I reveal the hidden humbly and respectfully beauty, gives the pictorial work.
I am only a student of the great artist's life and join me in this revolution to have captured a fraction of the development of the image.
My journey is expressed by the crossing of the eye and the memory shape gives its intention to establish our relationship with an understanding of another language in the scale of sensitivity.
The thought has been forgotten by the speed and human extravagance I interposed in this improbable and affirms the work, the unit of natural links.
The color comes from light and applies its shape be recognizable. It seeps into every element, every particle to be reborn and be understood. Such as sand and water in an ambiguous duality, which still reveal the beauty, incredible paintings of ocher, blue, green ... We must first recognize the place, enjoy it, do exercise before thought to express.
The only gift of doing so is the love sensitivity tamed by learning the tool and its control to use.
I consists in the consciousness and in the permanence of a game where balance is weakened by interference. They often define the originality of the work.
The eye and the memory will compose reality in an infinite number of combinations, all leading to the origin.
The space is filled with all kinds of variations and occupies its size seen by its increasingly high. I go, eliminating the idea of random amplified shape and color.
I defined directions, the distribution of motion in a perpetual quest for harmony and fluidity. The forms are soft and malleable, they must assemble in a perfect to open the door and meet her balance theme.
This complicity is inseparable and recognition goes beyond knowledge since developed his own act to be discovered.
My painting draws a set of connections and details with the elements. It is composed and recomposed in the movement of light and matter.
I absorb the visible, I restore what has been forgotten, hidden, or deleted by the privilege and the work of his unit.
I constantly move me, understand the real and relative handling; extract myself from the matrix where I am and why I exist.
I have to consider this carefully and parallel have to be in lifelong learning, relearning the same time to use the knowledge from the books of old masters and new tools in other ways.
Travelling to consider myself more in the passages of the West to the East.
Places incorporate elements to create the keys of the exploration of life.
To complete this story, I was born February 3, 1952. My first paintings from the 1960s and some have been recognized in national and international exhibitions since 1974, and since then my time is spent at work and should not display system or a trend, a fad, but more to offer as a present to extend the nature of life in its infinite.