Cara/0239 (2006) Painting by Carl Duplessis

Painting, 15x20.1 in
$1,070.88
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  • Original Artwork Painting,
  • Dimensions Height 15in, Width 20.1in
  • Categories Paintings under $5,000
Technique mixte About this artwork: Classification, Techniques & Styles Technic Painting Painting is an art form of painting[...]
Technique mixte
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Formé à Montréal à l'Institut des Arts appliqués et ayant suivi des cours d'art à l'École des beaux-arts, au Cégep Ahuntsic, à l'université Concordia et au Centre des arts Saidye Bronfman, je garde une soif[...]

Formé à Montréal à l'Institut des Arts appliqués et ayant suivi des cours d'art à l'École des beaux-arts, au Cégep Ahuntsic, à l'université Concordia et au Centre des arts Saidye Bronfman, je garde une soif inassouvie pour les arts.

Jadis professeur de design industriel, travailleur autonome en design et peintre depuis plus de vingt-cinq ans, je suis passionné par l'anatomie et le dessin et je fréquente de nombreux ateliers de modèle vivant,

Ma pratique découle de la fascination exercé par les formes humaines, les volumes,les lignes du corps, les angles, que je traduis aussi dans des portraits. je m'intéresse également au paysage quand celui-ci m'interpelle. J'aime étendre les couleurs et me laisser guider par elles. Je m' intéresse particulièrement à donner de la profondeur à ma peinture. Je veux faire oublier le cadre bidimensionnel de l'oeuvre en créant un espace entre la surface et le sujet et susciter une dynamique du mouvement. Mon sujet doit vivre et sortir de l'inertie de l'image pour devenir ((Source vive d'émotions)).

Visual Arts Artist
My studies have only increased my enthusiasm for the arts. I was trained at the Institut des Arts appliqués (Montréal) and have followed art courses at the École des beaux-arts, the Cégep Ahuntsic,
Concordia University, and the Saidye Bronfman Centre for the Arts.

I am a former professor of industrial design and self-employed designer.
I have also been an artistic painter for over 25 years. I am fascinated by human anatomy and drawing, and I regularly attend live-model workshops.

My artistic practice flows out my passion for the shapes of the human body-its volumes, lines and angles, which I translate into portraits. I am also interested in certain types of landscapes that engage me. I like to spread colours and allow myself to be guided by them. I am particularly interested in creating depth within the painting. I want to make the work's two-dimensional frame disappear by creating a space betwenn the surface and the subject must come to life. It must excape the inertia of the image and become " a living source of emotion."

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