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De Paula Fonseca Aldo Luiz

Aldo Luiz De Paula Fonseca
br Brazil

I am representative of the third generation of artists in my family. I was born in 15 of March of 1947, Rio De Janeiro. Of my grandfather, I inherited the taste for the Brazilian landscapes, the light and the côr; of my father, I appraise it for the figure, the drawing and the expression. Naturalismo and expressionismo if establish, expanding my romantic temperament in an alchemy that produces screens of multiple subjects. They are gifts, since figures human beings, clowns, foliões, navies, feminine nakeds, to the landscapes where the sky is of blue a deep one and the multicolorful flowers. To dezessete years, I entered for the National School of Beautiful Arts of the UFRJ. In 1970, I left the School to enter Polygram recorder as Finalista Art and later Director of Art. Per one decade, I was the responsible professional for the creation of the parts of spreading of cast of Brazilian artists and some foreigners, between them: Tom Jobim, Elis Regina, Caetano Veloso, Gilbert Gil
I started to involve me with the subject "Carnival", from a refused record layer, when still she was operating graphical artist... Were successes of carnivals passed, rewritten for artists famous contemporaries. It was this yellow picture, that I called "the penultimate carnival", the clown drinking wine with pierrô touching violão. D the disillusionment of the refusal, right-hander to my Heleno friend Oliveira who, seeing the picture said: "_ Not esquenta with this staff not! (...), it goes pra house, it paints thirty pictures of these and it makes an exposition that goes to be a success ". Well... This was in 1983. The exposition alone left exactly in 1987, in the Toulouse Gallery, of the Cláudio Valansy, in Copacabana. A success was same. But, before this, they had been four years of many studies, drawings, and, to the end, thirty and five screens the ink oil, in some dimensions. The "green Clóvis" and the colored person of coasts w
"Naturalism and expressionism merge, expanding my romantic temperament in an alchemy that produces canvases of multiple themes."



Articles

I am representative of the third generation of artists in my family. I was born in 15 of March of 1947, Rio De Janeiro. Of my grandfather, I inherited the taste for the Brazilian landscapes, the light and the côr; of my father, I appraise it for the figure, the drawing and the expression. Naturalismo and expressionismo if establish, expanding my romantic temperament in an alchemy that produces screens of multiple subjects. They are gifts, since figures human beings, clowns, foliões, navies, feminine nakeds, to the landscapes where the sky is of blue a deep one and the multicolorful flowers. To dezessete years, I entered for the National School of Beautiful Arts of the UFRJ. In 1970, I left the School to enter Polygram recorder as Finalista Art and later Director of Art. Per one decade, I was the responsible professional for the creation of the parts of spreading of cast of Brazilian artists and some foreigners, between them: Tom Jobim, Elis Regina, Caetano Veloso, Gilbert Gil
I started to involve me with the subject "Carnival", from a refused record layer, when still she was operating graphical artist... Were successes of carnivals passed, rewritten for artists famous contemporaries. It was this yellow picture, that I called "the penultimate carnival", the clown drinking wine with pierrô touching violão. D the disillusionment of the refusal, right-hander to my Heleno friend Oliveira who, seeing the picture said: "_ Not esquenta with this staff not! (...), it goes pra house, it paints thirty pictures of these and it makes an exposition that goes to be a success ". Well... This was in 1983. The exposition alone left exactly in 1987, in the Toulouse Gallery, of the Cláudio Valansy, in Copacabana. A success was same. But, before this, they had been four years of many studies, drawings, and, to the end, thirty and five screens the ink oil, in some dimensions. The "green Clóvis" and the colored person of coasts w
"Naturalism and expressionism merge, expanding my romantic temperament in an alchemy that produces canvases of multiple themes."

I started to involve me with the subject "Carnival", from a refused record layer, when still she was operating graphical artist... Were successes of carnivals passed, rewritten for artists famous contemporaries. It was this yellow picture, that I called "the penultimate carnival", the clown drinking wine with pierrô touching violão. D the disillusionment of the refusal, right-hander to my Heleno friend Oliveira who, seeing the picture said: "_ Not esquenta with this staff not! (...), it goes pra house, it paints thirty pictures of these and it makes an exposition that goes to be a success ". Well... This was in 1983. The exposition alone left exactly in 1987, in the Toulouse Gallery, of the Cláudio Valansy, in Copacabana. A success was same. But, before this, they had been four years of many studies, drawings, and, to the end, thirty and five screens the ink oil, in some dimensions. The "green Clóvis" and the colored person of coasts with red plume, intitled "penultimate carnival II". Since that day ] Read More is in the particular collection of it tam [..

PREMIAÇÕES
1974/75 _ Publicação do “poster” de lançamento do LP de Carlos Erasmo, “Carlos Erasmo,” no anuário suiço “Graphis Poster”.
1976/77 _ O número187 da revista internacional editada na Suiça “Graphis” numa edição especial dedicada aos artistas gráficos brasileiros.
1974 _ “Graphis” publica a capa do disco “Sinal fechado” de Chico Buarque de Holanda (Polygram Discos).
1978 _ de é eleito “O melhor Diretor de Arte do mês de novembro” pela revista “Arte Direction” de Nova York.

Expos Collective (Listing)

EXPOSIÇÒES COLETIVAS
1966 _ Galeria Macunaíma - Alunos da Escola Nacional de Belas Artes da UFRJ. Rio de janeiro.
1967_ Alunos da Escola Nacional de Belas Artes da UFRJ. Rio de janeiro.
1980/81/82 - Galeria Angelli, em Niterói.RJ
1982- Galeria do campo, em Niterói. RJ
1983 – Galeria do Campo, em Niterói. RJ
1983 _ Galeria Gargobre. em Niterói. RJ
1983 _ Michelangelo Galeria de Arte, em Niterói. RJ
1984 – Galeria do Campo e Associação Fluminense de Belas Artes.
1985 – Galeria Gargobre, III mostra de maio, Niterói.
1985 _ Casa Velha Antiguidades e Claudio Gil Estudio de Arte, Campo Grande – MS, Brasil .
1985 _ 4 de Itaipú - Centro Cultural Pascoal Carlos Magno, Niterói.
1986 _ Astorga Escritório de Arte, Rio de Janeiro.
1986 _ I Salão de Artyes Plásticas Candido Portinari, Rio de Janeiro.
1987 _ II Mostra de Artes Plásticas - Centro de Arte de Nova Friburgo, RJ.
1987 _ “Dez talentos das Artes Plásticas brasileiras”, Galeria Massena Gracioli, Nova Friburgo, RJ.
1987 _ Encontro Cultural _ Mar & Ar Turismo, Niterói, RJ
1988 – “VII Mostra Cultural Hispânica” - Centro Cultural Pascoal Carlos Magno, Niterói.
1990 – Galeria Toulouse, Dez Artistas Brasileiros - Los Angeles, U.S.A.
1991 – Associação Fluminense de Belas Artes – “Prêmio Menção Especial de Honra” - Niterói.
1994 _ Vinte Pintores de Niterói - Galeria Pascoal Carlos Magno. Niterói.
1999 – Pintores de Niterói _ Museu Antônio Parreiras – Niterói.
2004 _ Grandes formatos _ Museu Antônio Parreiras – Niterói.
2004 _ O Rio é Lindo! _ Museu do Exército e Forte Copacabana _ Rio de Janeiro _ Brasil


Expos Solo (Listing)

EXPOSIÇÕES INDIVIDUAIS:
1980 – Primeira exposição individual, Galeria Angelli em Niterói _ RJ. 42 desenhos em pastel e duas telas à óleo, de grande formato, onde retrata cada um de seus dois filhos.
1987 _ Galeria Macunaima – FUNARTE _ Rio de Janeiro.16 desenhos em pastel.
1988 _ Galeria Toulouse da Av Atlântica – Praia de Copacabana, Rio de Janeiro . Vinte e cinco telas a óleo sobre o tema “Carnaval Carioca” .
1988 – Loja Momento _ Shopping Da Gávea – Rio de Janeiro, com o tema “Paisagens”
1989 – “ Revendo Piratininga”, óleo sobre tela, Centro Pascoal Carlos Magno, Niterói.
1989 – Expôe Trinta telas na Associação Atlética do Banco do Brasil em Niterói
1994 – Espaço Cultural Acrópole _ 25 Acrílicos sôbre duratex _ Niterói, Rio de Janeiro.
1995 – Hotel Quitandinha _ Acrílico s/ Duratex. -– Petrópolis, RJ.
1997 – Atelier Bernardii - Piratininga, Niterói – RJ – 70 desenhos em pastel, 43 telas em vários formatos, à óleo e acrílico, e 8 esculturas em tamanho médio em barro cru com pátina.
2001 _ Tanaka San _ Leblon, Rio de Janeiro
2003 _ Campo das Artes _ Niterói, RJ
2004 _ Porcão Niterói _ Niterói, RJ
2004 _ TanaKa San _ Lagoa Rodrigo de Freitas, Rio de Janeiro

EXPOSIÇÕES VIRTUAIS
2001/2/3/4 _ NOVICA United, Inc
2001/2/3/4 _ .br
2004 _