Antique Sculpture by Artéo.Gm

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  • Original Artwork Sculpture, Wood
  • Dimensions Height 21.7in, Width 5.9in / 10.00 kg
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $5,000 Outsider Art
Poutre à colombage en chêne du XVe siècle About this artwork: Classification, Techniques & Styles Wood Sculpture technique using wood, natural material of[...]
Poutre à colombage en chêne du XVe siècle
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In me the search for emotion, the awakening of the five senses. In the case where matter speaks for itself (lines already perceptible, example of the face in a cloud), my job would be to accentuate[...]

In me the search for emotion,
the awakening of the five senses.

In the case where matter speaks for itself (lines already perceptible, example of the face in a cloud), my job would be to accentuate these lines to remain in harmony with the vision offered by the material.

Other times, I must impose a theme, an idea, taking into account that there can be dialogue with the subject, only if there is respect.

Intervenes the work of exchange with the material, (confrontation of my self in front of a matter without image).

I am wondering about a creation in pursuit of results. (search for the maturation of my works).
I see the evolution of my work only through a dialogue, an exchange. The subject sends me many answers to my questions. The most difficult is the choice, the decision of the outcome of my work.
To know how to say "I'm staying here!"
Because there is no limit to the evolution of a creation. I think I can never say that a work is really finished. The finished work no longer belongs to me.
I do not say that we must necessarily separate from his works, but the relationship between the work and its creator, during the design, remains a unique moment that I consider as a real human relationship.

I often say that in order not to upset the wood, you have to work it in the direction of the thread. For a person, it must be stroked in the direction of the hair.
The exchange was so strong during our construction, that I believe in the duty to share the work succeeds, with people sensitive to the result.
Most people define me as a dreamer, an idealist, a disruptive, For my part, I just think that many people are satisfied with the life that is offered to them.

I only hope that my research will be able to distract them in their daily life.

For the moment, I chose the trip for inspiration. The need for renewal is in my daily life.
I travel on the globe with my art ... the art of freedom.
I do not believe that one takes lessons from life by being satisfied with a little life without torment.

Comfort and security bother me.

An energy must emerge from the works. For that, do not want to control it, just let it go.

That's why, I give life to my works, looking for character forms.

The bland beauty does not interest me, people can feel, observe, and even touch my creations, all freedoms have their sensibilities and their reflections.
But they will only be confronted with themselves. That's why, I like to accompany my creations, because, in front of me ...

The words ! It is not the word that makes poetry, but the poetry that illustrates the word.

I think it is the poet's duty to grab the words to revive them ...

because I believe the words used, consumed in all the sauces. Too many art workshops, theaters and all other places to think changed in supermarkets.

These sculptures are made from different woods, they are unique and can be personalized.
For me there is not one wood that is less valuable than another. All species of wood have their character.
That's why I carve driftwood like precious wood, which makes the difference is the attention I give them.

Artéo.gm

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