Painting titled "error" by Somayeh Faal, Original Artwork, Acrylic

error Painting by Somayeh Faal

Original

Not For Sale

Certificate of Authenticity included

This artwork appears in 13 collections

Original Artwork Painting, Acrylic on Canvas

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 66.9in, Width 66.9in
Categories Paintings under $5,000 Figurative

The gossamer in my paintings is a symbol of woman’s erotic style, woman’s private domain and her sense in ordinary works. Eliminating the figurative in some of my works is because of removing the attractive elements and focuses on women's behavior and transfer the deep sense from image to the audience. Second impressions: In some of my paintings,[...]

Somayeh Faal

Iran

I was born after Iranian revolution of 1979. This revolution gifted a lot of limitations to women in Iran, including any activity related to art. I loved drawing since I could hold a pencil in my little fingers, but I did not receive enough mentally and emotionally supports from my parents by the time. They knew the suppressed era for women in Iran is not a good atmosphere for me to promote my skills, so they pushed me to mathematic collage. I got my bachelor degree in an unwanted degree, and then I tried to find a way to catch what I want, so I started to work professionally in art at Tehran’s Art and Architecture University since 2008. Gradually, young women wanted to take back their freedom, so artist exposed their intentions in their work. My subject is about a woman and her life, and I am trying to depict my creature’s feelings in different situations. My works shows part of a woman’s every day challenges, issues, impediments, and taboos in her life in this period of time in Iran. Already, my subject caught many people’s eyes at the Art Expo Association of Iranian Painters, and this encouraged me to work on a solo exhibition in Iran.
The gossamer in my paintings is a symbol of woman’s erotic style, woman’s private domain and her sense in ordinary works. Eliminating the figurative in some of my works is because of removing the attractive elements and focuses on women's behavior and transfer the deep sense from image to the audience.
Second impressions: In some of my paintings, women have been pushed to the corner of the image; it exposure the women in empty spaces around. It has been try to minimize women in the social restrictions and ignoring womanhood in the home, environment and relationships, and gradually fading and pushing femininity to outside of life.
In another series, I worked with curtains; I want to survey about woman’s privacy and check its relationship with female virginity. The issues and challenges in a woman’s life continue to be my biggest inspiration for painting, and have not let go of me yet. This continues to be my biggest motivation for working these days.