A luz invisível (2009) Painting by Aldo Luiz De Paula Fonseca

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Sold by Aldo Luiz De Paula Fonseca

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  • Original Artwork Painting, Oil
  • Dimensions Height 47.2in, Width 47.2in
  • Categories Paintings under $5,000
Ho'oponopono segundo aldoluiz em A luz invisível, acrílico sobre tela 120cmx120cm About this artwork: Classification, Techniques & Styles Oil Paint consisting[...]
Ho'oponopono segundo aldoluiz em A luz invisível, acrílico sobre tela 120cmx120cm

Related themes

CéuLandscapePaisagemSimbolismoExotérico

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I am representative of the third generation of artists in my family. I was born in 15 of March of 1947, Rio De Janeiro. Of my grandfather, I inherited the taste for the Brazilian landscapes, the light and the[...]

I am representative of the third generation of artists in my family. I was born in 15 of March of 1947, Rio De Janeiro. Of my grandfather, I inherited the taste for the Brazilian landscapes, the light and the côr; of my father, I appraise it for the figure, the drawing and the expression. Naturalismo and expressionismo if establish, expanding my romantic temperament in an alchemy that produces screens of multiple subjects. They are gifts, since figures human beings, clowns, foliões, navies, feminine nakeds, to the landscapes where the sky is of blue a deep one and the multicolorful flowers. To dezessete years, I entered for the National School of Beautiful Arts of the UFRJ. In 1970, I left the School to enter Polygram recorder as Finalista Art and later Director of Art. Per one decade, I was the responsible professional for the creation of the parts of spreading of cast of Brazilian artists and some foreigners, between them: Tom Jobim, Elis Regina, Caetano Veloso, Gilbert Gil
I started to involve me with the subject "Carnival", from a refused record layer, when still she was operating graphical artist... Were successes of carnivals passed, rewritten for artists famous contemporaries. It was this yellow picture, that I called "the penultimate carnival", the clown drinking wine with pierrô touching violão. D the disillusionment of the refusal, right-hander to my Heleno friend Oliveira who, seeing the picture said: "_ Not esquenta with this staff not! (...), it goes pra house, it paints thirty pictures of these and it makes an exposition that goes to be a success ". Well... This was in 1983. The exposition alone left exactly in 1987, in the Toulouse Gallery, of the Cláudio Valansy, in Copacabana. A success was same. But, before this, they had been four years of many studies, drawings, and, to the end, thirty and five screens the ink oil, in some dimensions. The "green Clóvis" and the colored person of coasts w
"Naturalism and expressionism merge, expanding my romantic temperament in an alchemy that produces canvases of multiple themes."

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