Pink Afterglow (172 x 122cm) (2016) Painting by David Tracey

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  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 48in, Width 67.7in
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Hyperrealism
The sun has set for the day, gone beyond the edge of the world. But the glow stays with us and for a moment turns the whole sky pink, peach and that soft yellow. Clouds hover and glide through the light, still warm from the day. These moments are quiet and still, while the sky blends with the horizon, then into the night. This painting[...]
The sun has set for the day, gone beyond the edge of the world. But the glow stays with us and for a moment turns the whole sky pink, peach and that soft yellow. Clouds hover and glide through the light, still warm from the day.
These moments are quiet and still, while the sky blends with the horizon, then into the night.

This painting has warm soft tones suitable for any light wall, big or small. Spotlight the bottom third of the painting in the evening to highlight the glow.

I use modern elements to lift the image, to meet the expectations of the modern eye. Flares, artifacts and scattering all work beautifully in painting to create a visually satisfying piece that is still clearly handmade, wrought by human creativity.
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Two framing picture D shape rings on back with picture hanging wire.
Mounted on wood frame with wood backing. Painted on all edges.

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Related themes

SunsetSkyscapeCloudsSkyCloudscape

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I am an artist based in Sydney, Australia. I like to create beautiful art where the painting technique creates the look of the modern world as we now perceive it through digital techniques.

I am an artist based in Sydney, Australia.

I like to create beautiful art where the painting technique creates the look of the modern world as we now perceive it through digital techniques.

For many years I worked as a scenic artist creating sets and backdrops for film and television, painting very large images in film studios. It was high pressure and short deadlines but what a great time!

With the advent of computer graphics, I moved on to creating realistic animated content commercially, again specializing in environments and surface textures. But I have come back to painting, still the most satisfying medium. Portraits now, and skyscapes too, sometimes together on the same canvas. I work in oil and acrylic, painting our modern world; both so rich and beautiful.

I learnt so much from the modern disciplines (film work, computer graphics, photography) and found it all is relevant when painting. I use these modern elements to lift the image, to meet the expectations of the modern eye. Even flares, artifacts, and scattering all work beautifully in oil to create a visually satisfying piece that is still clearly handmade, wrought by human creativity.

The artists I admire are Elizabeth Vigee Le Brun, William Bouguereau, and Marcel Marlier; masters in the realistic style and technique they used in creating such believable skin tones.

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