Lucky Star Photography by Béatrice Darmagnac

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  • This work is an "Open Edition" Photography, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
About this artwork: Classification, Techniques & Styles Technic Photography Photography refers to the combination of[...]

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ÉrosionAbandonAtomePoussièreRouille

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INTENTIONS In the beginning, there is this questioning of reality, my sensitive and intuitive relationship to it. As a sculptor, I question space, volumes, materials, the temporality of their experimentation.[...]

INTENTIONS
In the beginning, there is this questioning of reality, my sensitive and intuitive relationship to it.
As a sculptor, I question space, volumes, materials, the temporality of their experimentation. And this, at different levels of acceptance of these notions: the physical, the artificial and the imaginal.
The anchor of my research is the observation of plasticity in the natural environment: erosion, morphogenetic system, particularly the effects of flows. And everything that is put in place to retain, prevent, maintain, disseminate.
I have a principle of acceptance: "everything is matter".
In my protocols, I poetize the dialectic between naturalness and artifice, taking into account the unstable and the impermanent.

I affirm here my filiation, and my separation from my references: Conceptual Art, Minimal, Land Art and Arte Povera, Spacialism, New Realism. But I don't forget that I come from the Law Brow and its music and its aesthetic of deconstruction. That I frequented squats and hang out at night.

In each of my sculptures, I solicit this chimera of remembered-present-projection.

Beatrice Darmagnac

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