Harmony (2019) Drawing by Andrei Svistunov

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Drawing: Graphite, watercolor and ink on Paper. Original drawing. Graphite, Watercolor, Ink on 300 gr. Hahnemuhle William Turner paper. This work is three triptyches at once that means that you can show the 9th parts directly the friend near the friend, with or without edges between these 9 parts. Each part 16.4 cm wide and 16.4 cm high. This[...]
Drawing: Graphite, watercolor and ink on Paper.
Original drawing. Graphite, Watercolor, Ink on 300 gr. Hahnemuhle William Turner paper. This work is three triptyches at once that means that you can show the 9th parts directly the friend near the friend, with or without edges between these 9 parts. Each part 16.4 cm wide and 16.4 cm high. This can also be sold framed on request.
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1.Buffoon slept... His dreams a fancy chain rushed, rustling with soft paper edges, by him. It always, or usually, was one and too the place. – Ruins fragments of travertine and the ivy, which was looking for a way to light in deep crevices …
2. Buffoon slept... And on what depth, sometimes he plunged into unsteady fabric of the mirage, for some reason it wasn`t disturbing him at all, and on the contrary, forced him to go farther. Sometimes on the way, travelers came across to him. In them, he was recognizing …
3. Buffoon slept... And the thoughts confused in a ball didn't allow him to remember voices and silhouettes of those by whom he passed. He went along the road, which not he chose, to the purpose of which he had no idea. And his steps sank in graphite rustle. To light, always …
4. Buffoon slept... Light brought joy and many other pictures instead of those, which have already left. Aqueducts were infinite and did not give the slightest reason to doubt own reality. They carried ice streams of water, and …
5. Buffoon slept... During the next moment, the aqueduct indifferently left to the horizon. And his tendency and at the same time indifference were reflected in the Buffoon`s eyes as infinite levels of the colonnades and transitions created from the marble which has frozen in amazement. Now only …
6. Buffoon slept... Only having reached the streets slipping on a stony slope, the look could stop for a moment. Buffoon has stood. Everything has stood around too … But here the flickering patch of light of a lagoon has broken off …
7. Buffoon slept … a habitual current of time – it is always deceptive. And the above Buffoon climbed in his dreams, than higher stretched the knotty fingers of hasty built construction woods, the it became clearer to him that…
8. Buffoon slept … … in his dreams couldn't appear emptiness which undoubtedly will come, but much later. Now to emptiness there was no place here. Rising up, the Buffoon wasn't afraid of echoes of the coming morning. He just waited when …
9. Buffoon slept … when the tops of mountains leaving to the sky are melted by the tart morning beam which has come tearing along from the East, and he – will wake up.

Related themes

WatercolorArchitectureOriginalDrawingsUrban Landscape

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Andrey Svistunov was born in St. Petersburg, lives and works in Berlin, Germany. Being an architect by training and having extensive experience on the embodiment of the ideas in forms inherent in architecture,[...]

Andrey Svistunov was born in St. Petersburg, lives and works in Berlin, Germany. Being an architect by training and having extensive experience on the embodiment of the ideas in forms inherent in architecture, it continues the creative realization of these ideas begun in Academy of Arts also as the artist. Its graphic works are distinguished by metaphoricalness, diversity and exact possession of material. The air prospects of its works originate in profound knowledge of the principles of classical order architecture and classical academic school, but steadily leave further the framework ordered by its profession in which to the artist, obviously, it becomes close. Almost all his graphic pictures are anyway connected with antiquity or revival, but from classical ouvrages they are distinguished by the special world created by the artist in whic h as in a mirror both scenery of the Renaissance theater, and phantasmagoric masks carnival San Marco and bible tendency of infinite steps of the ladders leaving to heaven are reflected.
The famous artist-aquarellist and the architect Mikhail Filippov had a huge impact on me. Even many years later after ours with it meetings I consider him the teacher, the person who inspired me and taught me invaluable lessons of possession of a watercolor.
The watercolor is that material which use allows to transfer most fully and easily unsteadiness of forms, the alternating architectural prospects, that is the fact that makes the composite and semantic content of my works.
In time training in Imperial Academy of Arts in St. Petersburg, on one of last years, I participated in a summer visiting session of School of Prince Charles.
After the termination of Academy of Arts having worked some time in the Architectural workshop of Mikhail Filippov, I was engaged in independent creativity.
For two decades I was both an architect and the designer, but never stopped being the artist.
My world – my freedom.
My view of the world is an invariable love to all wonderful in this world.
My art is a reflection of my internal feelings and reflections about what could be, but for some reason did not happen though before my eyes there pass images often same tangible and substantial, as well as the world surrounding me.

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