La Visionnaire (2021) Collages by Annabelle Amory

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This artwork appears in 6 collections
J'ai commencé cette toile il y a bien longtemps. Des mois à vrai dire. Le dessin était prêt, les cartes étaient découpées et collées. Mais je n'ai pas pu me lancer, trop stressée à l'idée d'échouer, de rater l'œuvre, de ne pas réussir à y mettre l'émotion, le regard que je voulais. Ce regard, si important pour cette[...]
J'ai commencé cette toile il y a bien longtemps. Des mois à vrai dire. Le dessin était prêt, les cartes étaient découpées et collées. Mais je n'ai pas pu me lancer, trop stressée à l'idée d'échouer, de rater l'œuvre, de ne pas réussir à y mettre l'émotion, le regard que je voulais.
Ce regard, si important pour cette Visionnaire. Au départ, elle devait plutôt s'appeler l'Artiste. Avec son troisième œil, elle devait montrer aux gens qu'elle portait sur le monde un autre regard. A travers cette symbolique, qui évoque la connaissance de soi, elle voit ce que les autres ne voient pas, elle perçoit les choses différemment et peut même prévoir ce qui n'est pas encore arrivé. C'est pourquoi elle arbore sur sa peau, comme des tatouages, des cartes d'un Tarot de Marseille, tarot divinatoire dont les différentes arcanes permettent de prédire le futur.

Related themes

VisionnaireTarotPlaying CardsCartomancieGirl

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Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above[...]

Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above all university studies to have, at the end, a "real" job.

So Annabelle obeys and climbs the ladder: degree in art history and archeology in Amiens, Master in Sciences of Antiquity in Lille, then, finally, the last stage: a doctorate in Greek archeology which she obtains in 2017. However, during her research, she did not stop painting and even exhibiting whenever she had the opportunity. At the end of her thesis defence, she informed her jury: no, she would not embark on research but would attempt an artistic career.

The difficult issue of identity, duality and inner conflict is at the heart of Annabelle's thinking. Whether it is the injunction made to women (on their physique, their activities or their social status) or the personal evolution in our society (where the norm is still the only model and where the difference is stifled), the question is then the same: how to make our deep convictions coincide with the world around us? How can we assert our identity without feeling judged? Can we remain ourselves, flourish, knowing that we are constantly influenced by society, the eyes of others, social networks, money or even success?

Eco-feminist and anti-conformist, Annabelle draws from her personal history these two-speed anxieties, torn between her deep convictions and the current norm. She then analyzes her own life course and delivers an almost autobiographical gallery on the canvas: if none of the characters really resemble her, they nevertheless evoke all her concerns, her conflicts, the people she has met as well as different moments of her life. life.

The Artist was highlighted in an article in Artmajeur Magazine:

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