Painting titled "11" by Aldo Carnevale, Original Artwork, Other

11 (2018) Painting by Aldo Carnevale

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Max resolution: 2863 x 2863 px

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Original Artwork Painting, Other / Textile fiber / Fabric on Canvas

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 19.7in, Width 19.7in
Artwork's condition The artwork is in perfect condition
Categories Paintings under $5,000 Conceptual Art

About this artwork: Classification, Techniques & Styles Other Other Textile fiber [...]

Aldo Carnevale

Italy

Aldo Carnevale, a multifaceted Italian artist known for his prowess as both a painter and designer, embarked on his artistic journey by completing his studies at the prestigious[...]

Aldo Carnevale, a multifaceted Italian artist known for his prowess as both a painter and designer, embarked on his artistic journey by completing his studies at the prestigious Academy of Fine Arts in Rome in 1983. During the vibrant artistic landscape of the 1980s, Carnevale became an active participant in Rome's artistic circles, collaborating with a group of fellow painters and engaging in a series of exhibitions and performances orchestrated by the renowned artist Nato Frascà.

Among his notable early exhibitions were those held at the Palazzo dei Diamanti in Ferrara, followed by a replication of his work during the Roman Estate. These exhibitions served as a springboard for Carnevale's burgeoning career in the art world. He continued to showcase his artistry through various group exhibitions, including the inaugural exhibition of the Luigi di Sarro Experimental Center in Rome, where he participated in a painting seminar and other significant events, often featuring presentations by luminaries like Enrico Crispolti.

As the years unfolded, Aldo Carnevale established a prominent presence in numerous events across the Italian art scene. However, he eventually chose to withdraw from the bustling capital city, seeking the tranquility of the Fondi countryside, where he established his home-studio. It was here that he delved into the study of the works of great masters, striving to master their techniques and understand their use of color. This period of deep reflection and practice fueled his artistic evolution, guiding his work towards experimental themes within the realm of artistic research.

In his later years, Aldo Carnevale embarked on a creative project centered on the theory of perception and the psychology of form. In a departure from traditional artistic tools, he developed a unique technique that focused on the surface. With this innovative approach, he aimed to redefine the phenomenon of correspondence and structural interaction, exploring how these elements physiologically impact our visual perception.