3.937,19 $

Dbwaterman

A TENDER AGE (2021)

Τύπος Artwork
Διαστάσεις
39,4x27,6 in
Υποστήριξη ή επιφάνεια
Καμβάς
Framing
Όχι
Έτοιμο να κρεμάσετε
Το έργο έχει ένα κρεμαστό σύστημα που του επιτρέπει να στερεώνεται σε έναν τοίχο.
The time when you are young or do not have much experience. Kids inspire me. Their ability to transcend any given rotten situation is astounding. Playing tag in the ruins of a bombed Syrian city. Playing football in the most miserable neighborhoods. They are always looking for the light. They will save the future that our generations have...
The time when you are young or do not have much experience.

Kids inspire me. Their ability to transcend any given rotten situation is astounding. Playing tag in the ruins of a bombed Syrian city. Playing football in the most miserable neighborhoods. They are always looking for the light. They will save the future that our generations have really messed up, not even blaming us for it. If we only could keep the kid in ourselves a bit more, we wouldn’t be in such a mess. Art can help us to re-find our childlike innocence

Size: 70 x 100 x 2cm (unframed) / 70 x 100 cm (actual image size)

Mixed-media, acrylic and collage on Canvas

Technique: Collage, Acrylic on paper, textured

Theme: Textured / Cityscape / Urban/ Industrial / Modern / Collage

Colors: White, Grey, Vanilla, Ocher, Sienna, Petrol

Color quality: Amsterdam colors, high luminosity, without fading, non-toxic

Signed certificate of authenticity

Signed on the back

Made in 2021

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Αυτόματη μετάφραση
Dbwaterman
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I assemble original photography, assorted papers, acrylics, oil, charcoal, ink, and pencil in my works. The variety of resources I am able to use has proved indispensable to me. The biggest challenge the collage...

I assemble original photography, assorted papers, acrylics, oil, charcoal, ink, and pencil in my works. The variety of resources I am able to use has proved indispensable to me. The biggest challenge the collage medium posed was its unforgiving lack of transparency. Finding a way to replicate the effects of transparency afforded by paint, especially watercolors, was a large victory for me. The preparing labor shows through in my collages; layer upon layer of material remains visible in the finished pieces. I believe my body of work is characterized by my skill for reinvention. Having always loved the appearance of weathered walls plastered with peeling paint and old posters, I revive this aesthetic with hopefully a keen and professional eye. The creative objective of my work is to “make something beautiful out of dilapidation.” My tableaus explore the dissonance between old and new materials, intertwined in the most beautiful way possible to create dreamlike and melancholy images.

Je rassemble mes photographies originales, papiers assortis, acryliques, huile, fusain, encre et crayon. La variété des ressources que je suis capable d'utiliser s'est avérée indispensable pour moi. Le plus grand défi que le médium de collage posait était son manque de transparence impitoyable. Trouver une façon de reproduire les effets de transparence offerts par la peinture, en particulier les aquarelles, a été une grande victoire pour moi. La préparation du travail transparaît dans mes collages; couche sur couche de matériau reste visible dans les pièces finies. Je crois que mon corps de travail est caractérisé par mes compétences pour la réinvention. Ayant toujours aimé l'apparence des murs patinés et enduits de peinture écaillée et de vieilles affiches, je ressuscite cette esthétique avec un regard vif et professionnel. L'objectif créatif de mon travail est de «faire quelque chose de beau par délabrement». Mes tableaux explorent la dissonance entre les matériaux anciens et nouveaux, entrelacés de la manière la plus belle possible pour créer des images oniriques et mélancoliques.

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